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Autor Henry James
en Limba Engleză Paperback – 16 feb 2009
Henry James (1843 - 1916) was one of the leaders in the school of realism in fiction. He is known for his series of novels in which he portrayed the encounter of America with Europe. James is considered to be the master of the novel and novella. James wrote about personal relationships and the power within these relationships. James explored consciousness and perception from the point of view of a character within a tale. Pandora begins, "The process of inquiry had already begun for him, in spite of his having as yet spoken to none of his fellow-passengers; the case being that Vogelstein inquired not only with his tongue, but with his eyes--that is with his spectacles--with his ears, with his nose, with his palate, with all his senses and organs. He was a highly upright young man, whose only fault was that his sense of comedy, or of the humour of things, had never been specifically disengaged from his several other senses. He vaguely felt that something should be done about this, and in a general manner proposed to do it, for he was on his way to explore a society abounding in comic aspects."
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Specificații

ISBN-13: 9781438512396
ISBN-10: 1438512392
Pagini: 72
Dimensiuni: 191 x 235 x 4 mm
Greutate: 0.14 kg
Editura: Book Jungle

Notă biografică

Henry James (15 April 1843-28 February 1916) was an American-British author. He is regarded as a key transitional figure between literary realism and literary modernism and is considered by many to be among the greatest novelists in the English language. He was the son of Henry James Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for his novels dealing with the social and marital interplay between émigré Americans, English people and continental Europeans. His fundamental theme was the innocence and exuberance of the New World in clash with the corruption and wisdom of the Old, as illustrated in such works as Daisy Miller (1879), The Portrait of a Lady (1881), The Bostonians (1886) and The Ambassadors (1903). His later works were increasingly experimental. In describing the internal states of mind and social dynamics of his characters, James often wrote in a style in which ambiguous or contradictory motives and impressions were overlaid or juxtaposed in the discussion of a character's psyche. By his mid-20s James was regarded as one of the most skilful writers of short stories in America. Critics, however, deplored his tendency to write of the life of the mind rather than of action. For their unique ambiguity, as well as for other aspects of their composition, his late works have been compared to impressionist painting.