Passing: Collins Classics

Descriere de la o altă ediție sau format:

Nella Larsen's distinctive and revealing novel about racial identity set in New York in 1929.

Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Passing features an introduction by Christa Holm Vogelius.

Irene Redfield, married to a successful physician, enjoys a comfortable life in Harlem, New York. Reluctantly, she renews her friendship with old school friend, Clare Kendry. Clare, who like Irene is light skinned, 'passes' as white and is married to a racist white man who has no idea about Clare's racial heritage. Even though Irene knows that reigniting her friendship with Clare will lead to trouble, she can't resist allowing Irene into her world. Irene in turn wants to rekindle her bonds with the African American community of her youth. As tensions mount between friends and between couples, this taut and mesmerizing narrative spins towards an unexpected end.

Nella Larsen (1891¿1964) was an author, nurse, and librarian best known for her contributions to the Harlem Renaissance. Born to a Danish mother and Afro-Caribbean father in South Chicago, Larsen's life would be seemingly marked by her mixed-race heritage. Too Black for white spaces and not quite Black enough for Black spaces, Larsen would find herself constantly at odds in terms of her identity and belonging. First after the death of her biological father, where she would see her mother be remarried to a white man, have a white half-sibling and move to a mostly white neighborhood; next when she would seek a higher education at Fisk University, a historically Black college where she was unable to relate to the experience of her Black peers, and finally in her adult life in New York where she faced difficulties both professionally and socially. In 1914, Larsen would enroll at a nursing school that was heavily segregated and while working as a nurse two years later was employed in mostly white neighborhoods. She would marry Elmer Imes, the second African American to earn a PhD in psychics, in 1919 which¿in addition to the couple's move to Harlem¿introduced her to the Black professional class; however still, Larsen's near-European ancestry and lack of a formal degree alienated her from Black contemporaries of the times such as Langston Hughes, W. E. B. Du Bois, and James Weldon Johnson. Larsen would begin to pursue a career as a librarian in 1921, becoming the first Black woman to graduate from the New York Public Library's library school and would help with integration efforts within the branches. Her work in libraries would lead her to the literary circles of Harlem and in 1925 she would begin work on Quicksand, her semi-autobiographical debut novel. Published in 1928 to critical and financial success, Larsen would continue to make waves when just one year later, she published her sophomore novel, Passing. The success of her novels as well as her 1930 short story, "Sanctuary," led her to become the first African American woman to receive a Guggenheim Fellowship, which she used to travel through Europe in the wake of her divorce in 1933. Little is known about Larsen's life after she returned to the U.S. in 1937, other than she had returned to nursing, disappeared from the literary world and may have suffered from intense depression. There was some speculation that like the characters in her books, Larsen had elected to pass into the white community given how difficult it was for single women of color to achieve financial independence, but to this day there is no evidence supporting or disproving the claim. While she died alone at the age of seventy-two, Larsen's work cemented her legacy as an important voice in the Harlem Renaissance¿one that represented the struggles of identity and culture that befell mixed-raced people of the time.

Introduction

Suggestions for Further Reading

A Note on the Text

Part One: Encounter
Part Two: Re-Encounter
Part Three: Finale

Explanatory Notes

Absolutely absorbing, fascinating and indispensable
Highly charged... an original and hugely insightful writer
Discovering the fiction of Nella Larsen is like finding lost money with no name on it. One can enjoy it with delight and share it without guilt
Larsen's heroines are complex, restless, figures, whose hungers and frustrations will haunt every sensitive reader
Strangely, alarmingly moving. It gave shape and language to the racial ambivalence I experienced ... narrative may the best tool we have for binding together the disparate elements that make up the self
A groundbreaking novel of intersectionality ... tightly woven and plaintive