Paul Bekker's Musical Ethics
Autor Nanette Nielsenen Limba Engleză Hardback – 5 oct 2017
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Specificații
ISBN-13: 9781472486226
ISBN-10: 1472486226
Pagini: 258
Ilustrații: 6 Line drawings, black and white; 9 Halftones, black and white; 15 Illustrations, black and white
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1472486226
Pagini: 258
Ilustrații: 6 Line drawings, black and white; 9 Halftones, black and white; 15 Illustrations, black and white
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
1. Paul Bekker: critical scope, life, and writings 2. Intersections of ethics and aesthetics in Bekker’s early writings on music 3. Bekker as cultural critic 4. The burden of utopia: tensions between the metaphysical and the physical 5. Bekker’s ethical aesthetics of opera 6. Bekker as opera practitioner
Notă biografică
Nanette Nielsen is an Associate Professor at the University of Oslo, having previously held positions as Associate Professor and Lecturer at the University of Nottingham (2009–2015) and the University of East Anglia (2005–2009). Her publications include the co-authored book Music and Ethics (Ashgate, 2012), and the article 'Ernst Krenek’s problem of freedom in Jonny spielt auf' (Twentieth-Century Music, March 2013), for which she was awarded the 2014 Jerome Roche Prize. She co-edited a special Opera Quarterly issue on 'Opera and Philosophy' (April 2014), and another special issue for The Journal of Sonic Studies on 'Pervasive Drama', for which she also contributed two co-authored articles (May 2015). She is furthermore co-editor of the forthcoming Oxford Handbook of Western Music and Philosophy.
Recenzii
The pre-1914 expansion of the audience for symphonic and operatic music inspired, sometimes shocked a new generation of music critics. Their debates signaled music’s emergence as a mass-cultural form, but few matched Bekker’s illumination of contemporaries like Mahler, Schoenberg and Schreker, or his ability to enrage conservative colleagues. This first English study opens an invaluable window on a major musical thinker of the modern era.
Professor Peter Franklin, University of Oxford, UK.
In this first book-length study in English of Paul Bekker’s dual legacy as writer and opera practitioner, Nanette Nielsen makes a persuasive case for his "unfailing relevance to a contemporary audience." Prof. Nielsen shows in her detailed account how Bekker’s sociological aesthetic exerted a defining influence on German culture between the wars and, moreover, how his underlying ethical concerns, which provide a common thread in his wide-ranging output, can contribute to an understanding of twentieth-century modernism more broadly.
Stephen Hinton, Stanford University, USA.
Nielsen’s command of the ethical and philosophical dimensions, as well as the musical aspects, of Bekker’s lifework lends this study an impressive depth. As a result, Paul Bekker’s Musical Ethics not only offers us a clear view of Bekker in his own time and place but, even more importantly, also reveals his potential value for critical work in the here and now.
Benjamin Korstvedt, Clark University, USA
Professor Peter Franklin, University of Oxford, UK.
In this first book-length study in English of Paul Bekker’s dual legacy as writer and opera practitioner, Nanette Nielsen makes a persuasive case for his "unfailing relevance to a contemporary audience." Prof. Nielsen shows in her detailed account how Bekker’s sociological aesthetic exerted a defining influence on German culture between the wars and, moreover, how his underlying ethical concerns, which provide a common thread in his wide-ranging output, can contribute to an understanding of twentieth-century modernism more broadly.
Stephen Hinton, Stanford University, USA.
Nielsen’s command of the ethical and philosophical dimensions, as well as the musical aspects, of Bekker’s lifework lends this study an impressive depth. As a result, Paul Bekker’s Musical Ethics not only offers us a clear view of Bekker in his own time and place but, even more importantly, also reveals his potential value for critical work in the here and now.
Benjamin Korstvedt, Clark University, USA
Descriere
German music critic and opera producer Paul Bekker (1882-1937) is a rare example of a critic granted the opportunity to turn his ideas into practice. In this first full-length study of Bekker in English, Nanette Nielsen investigates Bekker's theory and practice in light of ethics and aesthetics, in order to uncover the ways in which these intersect in his work and contributed to the cultural and political landscape of the Weimar Republic. By linking Beethoven's music to issues of freedom and individuality, and emphasising its potential to unify the masses, Bekker constructed already in 1911 an ethical framework for his musical sociology that would pervade the rest of his oeuvre.