Performing Communities – Grassroots Ensemble Theaters Deeply Rooted in Eight U.S. Communities
Autor Robert H. Leonard, Ann Kilkelly, Jan Cohen–cruz, Linda Frye Burnhamen Limba Engleză Paperback – 31 mar 2006
Performing Communities is an inquiry into ensemble theater of inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York and cross-continental Native America.
This compendium of critical writing about the role these theaters play in building community shows how these artist groups are not only affected by but forged by working in and with their communities over time. Grassroot ensemble theater is discovered to be neither alternative nor marginalized, but vanguard, a natural evolution of the movement that propelled regional theater "away from the commercial restraints of New York and toward a theater expressive of the rich diversity of American culture.”
Robert H. Leonard is Professor of Theatre Arts at Virginia Tech and former artistic director of the Road Company, an acclaimed ensemble theater that produced two dozen original plays reflecting the issues of Central Appalachia.
Ann Kilkelly is Professor of Theater Arts and Women's Studies at Virginia Tech and a nationally recognized scholar and performer who created the Diversity Training Laboratory that uses performance techniques to examine diversity issues.
Linda Frye Burnham is co-director of Art in the Public Interest and the Community Arts Network. She founded High Performance magazine and is editor, with Steven Durland, of The Citizen Artist: 20 Years of Art in the Public Arena.
Jan Cohen-Cruz is Director of Theatre Studies in the NYU Tisch School of the Arts. She is author of Local Acts: Community-based Performance In The United States (Rutgers University Press 2005).
This compendium of critical writing about the role these theaters play in building community shows how these artist groups are not only affected by but forged by working in and with their communities over time. Grassroot ensemble theater is discovered to be neither alternative nor marginalized, but vanguard, a natural evolution of the movement that propelled regional theater "away from the commercial restraints of New York and toward a theater expressive of the rich diversity of American culture.”
Robert H. Leonard is Professor of Theatre Arts at Virginia Tech and former artistic director of the Road Company, an acclaimed ensemble theater that produced two dozen original plays reflecting the issues of Central Appalachia.
Ann Kilkelly is Professor of Theater Arts and Women's Studies at Virginia Tech and a nationally recognized scholar and performer who created the Diversity Training Laboratory that uses performance techniques to examine diversity issues.
Linda Frye Burnham is co-director of Art in the Public Interest and the Community Arts Network. She founded High Performance magazine and is editor, with Steven Durland, of The Citizen Artist: 20 Years of Art in the Public Arena.
Jan Cohen-Cruz is Director of Theatre Studies in the NYU Tisch School of the Arts. She is author of Local Acts: Community-based Performance In The United States (Rutgers University Press 2005).
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 153.89 lei 3-5 săpt. | |
MI – New York University – 31 mar 2006 | 153.89 lei 3-5 săpt. | |
Hardback (1) | 524.83 lei 6-8 săpt. | |
Wiley – 31 mar 2006 | 524.83 lei 6-8 săpt. |
Preț: 153.89 lei
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Specificații
ISBN-13: 9780976605447
ISBN-10: 0976605449
Pagini: 230
Ilustrații: 15 B&W photographs
Dimensiuni: 169 x 228 x 17 mm
Greutate: 0.33 kg
Editura: MI – New York University
Locul publicării:United Kingdom
ISBN-10: 0976605449
Pagini: 230
Ilustrații: 15 B&W photographs
Dimensiuni: 169 x 228 x 17 mm
Greutate: 0.33 kg
Editura: MI – New York University
Locul publicării:United Kingdom
Notă biografică
Professor of Theatre Arts at Virginia Tech and former artistic director of the Road Company, an acclaimed ensemble theater that produced two dozen original plays reflecting the issues of Central Appalachia. Professor of Theater Arts and Women's Studies at Virginia Tech and a nationally recognized scholar and performer who created the Diversity Training Laboratory that uses performance techniques to examine diversity issues. Linda Frye Burnham and her husband Steve Durland edited High Performance magazine for 20 years, with a focus on art for social justice. In 1995 they founded Art in the Public Interest (API), a nonprofit organization to support art that is culturally engaged and serving communities. In 1999, in collaboration with Virginia Tech, they created the Community Arts Network (CAN).
Textul de pe ultima copertă
Ensemble theater is one of the hottest American performance forms today. It's more than art - it's a movement. Case studies and play excerpts from eight well-established community-based groups define a genre of theater that arises from and empowers the grassroots.
ADVANCE PRAISE FOR PERFORMING COMMUNITIES
"If you care about theater in America - any kind of theater, really, whether it's slick commercial stuff or the funky avant-garde or street-theater activism - you should get to know the remarkable folks in this book. They're a special breed."
--Jim O'Quinn, editor, American Theatre magazine, New York
"With the contemporary world ablaze in "culture wars" along comes a book describing the work and philosophy of theater artists whose artistic excellence is sharpened by their relationship with the life of communities. Making sure that theater is meaningful, important, and useful - while still maintaining high standards for artistry and stagecraft - these artists make a clear case for the power of artmaking in the context of local lives and stories."
--Liz Lerman, choreographer, Liz Lerman Dance Exchange, Silver Spring, Maryland
"Community-based arts provide the forum for examining community values, organizing community resources and empowering the spirit of the community. In Performing Communities, we see the common thread - art is community and communities are transformed by their art."
--Ysaye Barnwell, Sweet Honey in the Rock, Washington DC
"One of the most important things about art is that it's constantly holding people's aspirations in front of them. And in that sense, John Malpede's work [Los Angeles Poverty Department] is profoundly transformative because it's inviting both the performers and the audience to reach towards something that they thought was not achievable and that requires enormous courage and personal commitment to achieve. You're watching performers in the process of raising the bar in their own lives and that asks the audience to make the same gesture."
--Peter Sellars, director
Descriere
Ensemble Theater is the hottest American performance medium today. It's more than art - it's a movement.