Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic
Editat de Experience Bryonen Limba Engleză Hardback – 15 dec 2017
Including cross-chapter discussions which address the intersections between fields, Performing Interdisciplinarity truly examines the making of meaning across disciplinary conventions. This is a volume for performance practitioners and scholars who are living, learning, writing, teaching, making and thinking at the edges of their specialisms.
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Specificații
ISBN-13: 9781138678842
ISBN-10: 1138678848
Pagini: 268
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138678848
Pagini: 268
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
PostgraduateCuprins
List of Contributors
Acknowledgements
Foreword - Claire Colebrook
Introduction
Experience Bryon
Part I
active aesthetic: Knowledge Performing
Experience Bryon
Part II
virtual: Performance and Digital
Joanne Scott
Cross-Chapter Discussion: virtual & mediation
mediation: Performance and Installation Art
Luis Campos
Cross-Chapter Discussion: mediation & utopia
utopia: Performance and Social Geography: shattering the real with utopian dreams
Selina Busby
Cross-Chapter Discussion: utopia & role
role: Performance and Pedagogy
Jessica Hartley
Cross-Chapter Discussion: role & embodiment
embodiment: Performance and Cognitive Science
Deirdre Mclaughlin
Cross-Chapter Discussion: embodiment & story
story: Performance and Psychology
Antonia Batzoglou
Cross-Chapter Discussion: story & virtual
visibility: Performance and Activism
Nando Messias
Cross-Chapter Discussion: visibility & ‘the subject’
‘the subject’: Performance and Political Philosophy
Rachel Cockburn
Cross-Chapter Discussion: ‘the subject’ & voice
voice: Performance and Forensics
Konstantinos Thomaidis
Cross-Chapter Discussion: voice & visibility
Index
Acknowledgements
Foreword - Claire Colebrook
Introduction
Experience Bryon
Part I
active aesthetic: Knowledge Performing
Experience Bryon
Part II
virtual: Performance and Digital
Joanne Scott
Cross-Chapter Discussion: virtual & mediation
mediation: Performance and Installation Art
Luis Campos
Cross-Chapter Discussion: mediation & utopia
utopia: Performance and Social Geography: shattering the real with utopian dreams
Selina Busby
Cross-Chapter Discussion: utopia & role
role: Performance and Pedagogy
Jessica Hartley
Cross-Chapter Discussion: role & embodiment
embodiment: Performance and Cognitive Science
Deirdre Mclaughlin
Cross-Chapter Discussion: embodiment & story
story: Performance and Psychology
Antonia Batzoglou
Cross-Chapter Discussion: story & virtual
visibility: Performance and Activism
Nando Messias
Cross-Chapter Discussion: visibility & ‘the subject’
‘the subject’: Performance and Political Philosophy
Rachel Cockburn
Cross-Chapter Discussion: ‘the subject’ & voice
voice: Performance and Forensics
Konstantinos Thomaidis
Cross-Chapter Discussion: voice & visibility
Index
Notă biografică
Experience Bryon, PhD, is a performance practitioner and Senior Lecturer at the Royal Central School of Speech and Drama. She specialises in Practice as Research, interdisciplinary performance practice(s), physical/vocal praxis, and performance as it engages across disciplines. She is also author of Integrative Performance: Practice and Theory for the Interdisciplinary Performer (Routledge 2014).
Descriere
Performing Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline.