Performing the Self: Women's Lives in Historical Perspective
Editat de Katie Barclay, Sarah Richardsonen Limba Engleză Hardback – 20 noi 2014
This book was originally published as a special issue of Women’s History Review.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 255.66 lei 6-8 săpt. | |
Taylor & Francis – 18 dec 2020 | 255.66 lei 6-8 săpt. | |
Hardback (1) | 813.02 lei 6-8 săpt. | |
Taylor & Francis – 20 noi 2014 | 813.02 lei 6-8 săpt. |
Preț: 813.02 lei
Preț vechi: 1103.24 lei
-26% Nou
Puncte Express: 1220
Preț estimativ în valută:
155.64€ • 169.55$ • 130.57£
155.64€ • 169.55$ • 130.57£
Carte tipărită la comandă
Livrare economică 18 decembrie 24 - 01 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781138808997
ISBN-10: 1138808997
Pagini: 194
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138808997
Pagini: 194
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
1. Introduction: Performing the Self: women’s lives in historical perspective Katie Barclay and Sarah Richardson 2. Performing the Self, Performing the Other: gender and racial identity construction in the Nanteuil Cycle Victoria Turner 3. Writing the Self: the journal of Sarah Stoddart Hazlitt, 1774–1843 Gillian Beattie-Smith 4. Writing Women’s Histories: women in the colonial record of nineteenth-century Hong Kong Jane Berney 5. Barbara Leigh Smith Bodichon’s Travel Letters: performative identity-formation in epistolary narratives Meritxell Simon-Martin 6. ‘A notable personality’: Isabella Fyvie Mayo in the public and private spheres of Aberdeen Lindy Moore 7. ‘The Subject is Obscene: No Lady Would Dream of Alluding to It’: Marie Stopes and her courtroom dramas Lesley Hall 8. Body and Self: learning to be modern in 1920s–1930s Britain Charlotte Macdonald 9. Performing the Political Self: a study of identity making and self representation in the autobiographies of India’s first generation of parliamentary women Annie Devenish 10. Eve Drewelowe: feminist identity in American art Lindsay E. Shannon 11. Women Activists: rewriting Greenham’s history Elaine Titcombe 12. The Changing Face of Exhibiting Women’s Wartime Work at the Imperial War Museum Alyson Mercer 13. Concluding Thoughts: performance, the self, and women’s history Penny Summerfield
Descriere
Performativity is an influential model for understanding the human experience. This collection considers how the approach may provide a deeper understanding of women’s lives in historical perspective, using case studies that range from the medieval to the modern.
This book was originally published as a special issue of Women’s History Review.
This book was originally published as a special issue of Women’s History Review.
Notă biografică
Katie Barclay is a Research Fellow in the ARC Centre of Excellence for the History of Emotions, University of Adelaide, Australia. She is the author of the double-awarding winning Love, Intimacy and Power: Marriage and Patriarchy in Scotland, 1650-1850, and numerous articles on emotions and family life.
Sarah Richardson is an Associate Professor at the University of Warwick, UK. Her latest monograph is The Political Worlds of Women: Gender and Political Culture in Nineteenth-Century Britain published by Routledge in 2013.
Sarah Richardson is an Associate Professor at the University of Warwick, UK. Her latest monograph is The Political Worlds of Women: Gender and Political Culture in Nineteenth-Century Britain published by Routledge in 2013.