Perpetrating Selves: Doing Violence, Performing Identity
Editat de Clare Bielby, Jeffrey Stevenson Mureren Limba Engleză Paperback – 12 dec 2019
Through its wide-ranging approach to violence, the volume draws attention to the contested and gendered nature of what is constructed as ‘perpetration’. With a focus on perpetrator subjectivity or the ‘perpetrator self’, it proposes that we approach perpetration as a form of ‘doing’; and a ‘doing’ that is bound up with the ‘doing’ of one’s gendered identity more broadly. The work will be of great interest to students and scholars working on violence and perpetration in the fields of History, Literary Studies, Area Studies, Women’s and Gender Studies, Museum Studies, Cultural Studies, International Relations and Political Science.
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Specificații
ISBN-13: 9783030404260
ISBN-10: 3030404269
Dimensiuni: 155 x 235 mm
Greutate: 0.39 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030404269
Dimensiuni: 155 x 235 mm
Greutate: 0.39 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Notă biografică
Clare
Bielbyis
Senior
Lecturer
in
Women’s
Studies
at
the
Centre
for
Women’s
Studies,
University
of
York.
She
is
the
author
ofViolent
Women
in
Print:
Representations
in
the
West
German
Print
Media
of
the
1960s
and
1970s(Camden
House,
2012)
and
co-editor
(with
Anna
Richards)
ofWomen
and
Death
3:
Women’s
Representations
of
Death
in
German
Culture
since
1500(Camden
House,
2010).
Jeffrey
Stevenson
Mureris
Senior
Lecturer
on
Collective
Violence
in
the
School
of
International
Relations
and
Research
Fellow
in
the
Centre
for
the
Study
of
Terrorism
and
Political
Violence
at
the
University
of
St
Andrews. His
articles
have
appeared,
among
elsewhere,
in
theInternational
Journal
of
Politics,
Culture
and
Society;Terrorism
and
Political
Violence;
and
theJournal
of
Psychoanalysis,
Culture,
and
Society,
where
he
is
an
Associate
Editor.
Textul de pe ultima copertă
This
volume
explores
violent
perpetration
in
diverse
forms
from
an
interdisciplinary
and
transnational
perspective.
From
National
Socialist
perpetration
in
the
museum,
through
post-terrorist
life
writing
to
embodied
performances
of
perpetration
in
cosplay,
the
collection
draws
upon
a
series
of
historical
and
geographical
case
studies,
seen
through
the
lens
of
a
variety
of
texts,
with
a
particular
focus
on
the
locus
of
the
museum
as
a
technology
of
sense
making.
In
addition
to
its
authored
chapters,
the
volume
includes
three
contributed
interviews
which
offer
a
practice-led
perspective
on
the
topic.
Through its wide-ranging approach to violence, the volume draws attention to the contested and gendered nature of what is constructed as ‘perpetration’. With a focus on perpetrator subjectivity or the ‘perpetrator self’, it proposes that we approach perpetration as a form of ‘doing’; and a ‘doing’ that is bound up with the ‘doing’ of one’s gendered identity more broadly. The work will be of great interest to students and scholars working on violence and perpetration in the fields of History, Literary Studies, Area Studies, Women’s and Gender Studies, Museum Studies, Cultural Studies, International Relations and Political Science.
Through its wide-ranging approach to violence, the volume draws attention to the contested and gendered nature of what is constructed as ‘perpetration’. With a focus on perpetrator subjectivity or the ‘perpetrator self’, it proposes that we approach perpetration as a form of ‘doing’; and a ‘doing’ that is bound up with the ‘doing’ of one’s gendered identity more broadly. The work will be of great interest to students and scholars working on violence and perpetration in the fields of History, Literary Studies, Area Studies, Women’s and Gender Studies, Museum Studies, Cultural Studies, International Relations and Political Science.
Caracteristici
Focuses
squarely
on
perpetrator
subjectivity
or
the
perpetrator
self
Engages
rigorously
with
gender
as
a
central
category
of
analysis
Takes
an
interdisciplinary
and
‘case
studies’
approach
to
different
forms
of
violence,
including
German
studies,
criminology,
philosophy,
international
relations
and
art
history
Cuprins
1. Perpetrating Selves: An Introduction; Clare Bielby and Jeffrey Stevenson Murer.- PART ONE: Enactments and Bodily Performances.- 2. Leading Men a Merry Dance?: Girls as Sex Crime Perpetrators in Contemporary Pop Culture and Media; Melissa Dearey.- 3. Embodying a Perpetrator: Myths, Monsters and Magic; Katarina H. S. Birkedal.- 4. The Making of a Dangerous Individual: Performing the Perpetrating Self -- An Interview with Steve Pratt; Clare Bielby and Jeffrey Stevenson Murer.- PART TWO: Narration and Textual Performances.- 5. Scripting the Perpetrating Self: Masculinity, Class and Violence in German Post-terrorist Autobiography; Clare Bielby.- 6. Innocent Superspy: Contradictory Narratives as Exculpation in a Woman Apartheid Perpetrator Story; Robyn Bloch.- 7. ‘It’s My Destiny’: Narrating Prison Violence and Masculinity in the Shaun Attwood Trilogy; Josephine Metcalf.- 8. Intimate Enemies: Representations of Perpetrators in Literary Responses to the 1994 Genocide in Rwanda; Nicki Hitchcott.- 9. ‘By Any Means Necessary’: Interviews and Narrative Analysis with Torturers – A Conversation with Dr. John Tsukayama; Clare Bielby and Jeffrey Stevenson Murer.- PART THREE: Perpetration in the Museum.- 10. Selective Empathy in the Re-designed Imperial War Museum London: Heroes and Perpetrators; Gabriel Koureas.- 11. Identifying with Mass Murderers? Representing Male Perpetrators in Museum Exhibitions of the Holocaust; Birga Meyer.- 12. Managing Perpetrator Affect: The Female Guard Exhibition at Ravensbrück; Susanne Luhmann.- 13. Curating Violence: Display and Representation -- An Interview with Jonathan Ferguson and Lisa Traynor (Royal Armouries Museum, Leeds); Clare Bielby and Jeffrey Stevenson Murer.