Perspectives on Contemporary Music Theory: Routledge Research in Music
Editat de Bryan Parkhurst, Jeffrey Swinkinen Limba Engleză Paperback – 18 dec 2024
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Specificații
ISBN-13: 9781032413730
ISBN-10: 1032413735
Pagini: 350
Dimensiuni: 156 x 234 mm
Greutate: 0.67 kg
Editura: Taylor & Francis Ltd.
Seria Routledge Research in Music
ISBN-10: 1032413735
Pagini: 350
Dimensiuni: 156 x 234 mm
Greutate: 0.67 kg
Editura: Taylor & Francis Ltd.
Seria Routledge Research in Music
Cuprins
Introduction
An Interview with Kevin Korsyn
I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS
Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert’s ‘Der blinde Knabe’
Chapter 2. Rethinking Self-referentiality in Schubert’s Setting of Platen’s ‘Die Liebe hat gelogen,’ D. 751 (op. 23, no. 1)
Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions
II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS
Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms
Chapter 5. Beyond Constraints: Bach’s Fugue in G minor from Book 2 of The Well-Tempered Clavier
III. MUSIC AND INTERDISCIPLINARITY
Chapter 6. Chopin’s Preludes, Creatures of Prometheus, and the Posthuman
Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era
Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy
Chapter 9. Leni Riefenstahl’s ‘Ballet’ Olympia
An Interview with Kevin Korsyn
I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS
Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert’s ‘Der blinde Knabe’
Chapter 2. Rethinking Self-referentiality in Schubert’s Setting of Platen’s ‘Die Liebe hat gelogen,’ D. 751 (op. 23, no. 1)
Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions
II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS
Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms
Chapter 5. Beyond Constraints: Bach’s Fugue in G minor from Book 2 of The Well-Tempered Clavier
III. MUSIC AND INTERDISCIPLINARITY
Chapter 6. Chopin’s Preludes, Creatures of Prometheus, and the Posthuman
Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era
Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy
Chapter 9. Leni Riefenstahl’s ‘Ballet’ Olympia
Notă biografică
Bryan Parkhurst is Associate Professor of Music Theory and Philosophy at Oberlin College and Conservatory, U.S.A.
Jeffrey Swinkin is Associate Professor of Music (Theory) at The University of Oklahoma, U.S.A.
Jeffrey Swinkin is Associate Professor of Music (Theory) at The University of Oklahoma, U.S.A.