Cantitate/Preț
Produs

Philosophy of the Film: Epistemology, Ontology, Aesthetics

Autor Ian Jarvie
en Limba Engleză Hardback – 30 iun 1987
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 34971 lei  43-57 zile +7591 lei  5-11 zile
  Taylor & Francis – 26 aug 2015 34971 lei  43-57 zile +7591 lei  5-11 zile
Hardback (1) 76306 lei  43-57 zile
  Taylor & Francis – 30 iun 1987 76306 lei  43-57 zile

Preț: 76306 lei

Preț vechi: 102932 lei
-26% Nou

Puncte Express: 1145

Preț estimativ în valută:
14605 15222$ 12158£

Carte tipărită la comandă

Livrare economică 06-20 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780710210166
ISBN-10: 0710210167
Pagini: 408
Dimensiuni: 138 x 216 x 30 mm
Greutate: 0.64 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Recenzii

`Essential reading for any teacher of philosophy.' - British Journal of Aesthetics

Cuprins

Preface, Acknowledgments, Introduction: On the Very Idea of a Philosophy of the Film: Casablanca, 1. Philosophy of the Film, 2. Film as Philosophy, 3. Casablanca as Philosophy, 4. Conclusion, Part One. Movies as a Philosophical Problem, 1. Knowledge and Existence, 2. Plato and the Cave, 3. TheGoldenMountain, USD A Approval and Realism, 4. Films and Academic Philosophy, Part Two. Movies as an Aesthetic Problem, 5. Art and Science, 6. Aesthetics and Essentialism, 7. Arguments Against Films as Art, 8. Films as Art, Part Three. Philosophical Problems on Film, 9. Philosophy, 10. Popular Philosophy, 11. On Interpretation, 12. Citizen Kane and the Essence of a Person, 13. Rashomon: Is Truth Relative?, 14. Persona: The Person as a Mask, 15. Woody Allen and the Search for Moral Integrity, Conclusion, Notes, Bibliography, Index of Subjects, Index of Names

Descriere

Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.