Philosophy of the Novel
Autor Barry Stockeren Limba Engleză Paperback – 3 dec 2019
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Specificații
ISBN-13: 9783030404826
ISBN-10: 303040482X
Dimensiuni: 155 x 235 mm
Greutate: 0.4 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 303040482X
Dimensiuni: 155 x 235 mm
Greutate: 0.4 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1.
Introduction.-
2.
Epic
in
Aristotle
and
Vico.-
3.
Idealism
and
Romanticism.-
4.
Kierkegaard,
Irony
and
Subjectivity.-
5.
Lukács
on
Subjectivity
and
History
(Introduced
through
Nietzsche).-
6.
Bakhtin,
Ethics
and
Time.-
7.
Mimesis,
Humanism
and
History.-
8.
Mimetic
Limits.-
9.
The
Absolute
Novel.-
10.
The
Philosophical
Novel.-
Bibliography.-
Index.
Notă biografică
Barry
Stocker
teaches
philosophy
at
Istanbul
Technical
University,
Turkey.
He
is
the
author
ofDerrida
on
Deconstruction(2006)
andKierkegaard
on
Politics(2014).
He
is
the
editor
ofPost-Analytic
Tractatus(2004)
andDerrida:
Basic
Writings(2007).
He
is
the
co-editor
ofNietzsche
as
Political
Philosopher(2014).
Textul de pe ultima copertă
This
book
explores
the
aesthetics
of
the novel
from
the
perspective
of
Continental
European
philosophy,
presenting
a
theory
on
the
philosophical definition
and
importance
of
the
novel
as
a
literary
genre.
It
analyses
a
variety
of
individuals
whose
work
is
reflected
in
both theoretical
literary
criticism
and
Continental
European
aesthetics, including Mikhail
Bakhtin,
Georg
Lukács,
Theodor
Adorno,
and
Walter
Benjamin.
Moving
through
material
from
eighteenth
century
and
ancient
Greek
philosophy
and
aesthetics,
the
book
provides comprehensive
coverage
of
the
major
positions
on
the
philosophy
of
the novel. Distinctive
features
include the
importance
of
Vico’s
view
of
the
epic
to
understanding
the novel,
the
importance
of
Kierkegaard’s
view
of
the
novel
and
irony
along
with
his
other
aesthetic views,
the
different
possibilities
associated
with
seeing
the
novel
as
‘mimetic’
and
the
importance
of
Proust
in
understanding
the
genre
in
all
its
philosophical
aspects,
relating
the
issue
of the
philosophical
aesthetics
of
the
novel
with
the
issue
of
philosophy
written
as
a
novel
and the
interaction
between
these
two
alternative
positions.
Caracteristici
Explores
the
provocative
concept
that
the
history
of
philosophy
would
not
exist
without
the
novel
Considers a wide range of thinkers including Mikhail Bakhtin, Georg Lukács, Theodor Adorno, and Walter Benjamin
Relates the issue of the philosophical aesthetics of the novel with the issue of philosophy written as a novel