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Photography and Philosophy – Essays on the Pencil of Nature de S Walden

Photography and Philosophy – Essays on the Pencil of Nature: New Directions in Aesthetics

Autor S Walden
en Limba Engleză Paperback – 15 mar 2010
This anthology offers a fresh approach to the philosophical aspects of photography. The essays, written by contemporary philosophers in a thorough and engaging manner, explore the far-reaching ethical dimensions of photography as it is used today. * A first-of-its-kind anthology exploring the link between the art of photography and the theoretical questions it raises * Written in a thorough and engaging manner * Essayists are all contemporary philosophers who bring with them an exceptional understanding of the broader metaphysical issues pertaining to photography * Takes a fresh look at some familiar issues - photographic truth, objectivity, and realism * Introduces newer issues such as the ethical use of photography or the effect of digital-imaging technology on how we appreciate images
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Specificații

ISBN-13: 9781444335088
ISBN-10: 1444335081
Pagini: 344
Ilustrații: black & white illustrations, black & white halftones, figures
Dimensiuni: 152 x 229 x 19 mm
Greutate: 0.46 kg
Editura: Wiley
Seria New Directions in Aesthetics

Locul publicării:Chichester, United Kingdom

Public țintă

undergraduates and graduates studying aesthetics in philosophy or art theory; academics

Cuprins

Notă biografică

Scott Walden's interest in photographic theory emerges from his training in philosophy and his practice of photography. His philosophical work has been published in the British Journal of Aesthetics, and his photographic work in Places Lost: In Search of Newfoundland's Resettled Communities (2003). In 2007 he was awarded the Duke and Duchess of York Prize in Photography by the Canada Council for the Arts. He is currently Assistant Professor in the Philosophy Department at Nassau Community College.

Descriere

Photography and Philosophy takes an up-to-date look at the issues of photographic truth, objectivity, and realism. It tests the limits on what can ethically be done with a camera and examines the fundamental differences between photographic and non-photographic artwork.