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Phrenology and the Origins of Victorian Scientific Naturalism: Science, Technology and Culture, 1700-1945

Autor John van Wyhe
en Limba Engleză Paperback – 6 mar 2017
Through a reassessment of phrenology, Phrenology and the Origins of Victorian Scientific Naturalism sheds light on all kinds of works in Victorian Britain and America which have previously been unnoticed or were simply referred to with a vague 'naturalism of the times' explanation. It is often assumed that the scientific naturalism familiar in late nineteenth century writers such as T.H. Huxley and John Tyndall are the effects of a 'Darwinian revolution' unleashed in 1859 on an unsuspecting world following the publication of The Origin of Species. Yet it can be misleading to view Darwin's work in isolation, without locating it in the context of a well established and vigorous debate concerning scientific naturalism. Throughout the nineteenth century intellectuals and societies had been discussing the relationship between nature and man, and the scientific and religious implications thereof. At the forefront of these debates were the advocates of phrenology, who sought to apply their theories to a wide range of subjects, from medicine and the treatment of the insane, to education, theology and even economic theories. Showing how ideas about naturalism and the doctrine of natural laws were born in the early phrenology controversies in the 1820s, this book charts the spread of such views. It argues that one book in particular, The Constitution of Man in Relation to External Objects (1828) by George Combe, had an enormous influence on scientific thinking and the popularity of the 'naturalistic movement'. The Constitution was one of the best-selling books of the nineteenth century, being published continuously from 1828 to 1899, and selling more than 350,000 copies throughout the world, many times more than Dawin's The Origin of Species. By restoring Combe and his work to centre stage it provides modern scholars with a more accurate picture of the Victorians' view of their place in Nature.
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Specificații

ISBN-13: 9781138249080
ISBN-10: 1138249084
Pagini: 300
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Science, Technology and Culture, 1700-1945

Locul publicării:Oxford, United Kingdom

Cuprins

Contents: Introduction; The evolution of phrenology in Britain; The nature of controversies; Authority over man's constitution; The receptions of The Constitution of Man; Epidemics of phrenological naturalism; Conclusions; Appendices; Bibliography; Index.

Notă biografică

Dr John van Wyhe is Affiliate Researcher in the Department of History and Philosophy of Science at Cambridge University, Cambridge, UK.

Recenzii

'... a readable, thoroughly referenced, and bibliographically up-to-date introduction to phrenology's historical and historiographical contexts of debate.' Notes and Records of the Royal Society '... provides an engaging and well-referenced account of phrenology's role in the development of British scientific naturalism during the 1800s.' Journal of the History of the Behavioral Sciences 'The careful and thoughtful research recorded here makes the book a basic resource for historians interested in both phrenology and the struggle for authority in British culture among scientists, evangelicals and many other would-be cultural leaders.' British Journal for the History of Science

Descriere

Through a reassessment of the science of phrenology, particularly the work of George Combe, Phrenology and the Origins of Victorian Scientific Naturalism challenges the orthodoxy that Charles Darwin's 1859 work The Origin of Species was the most influential work of Victorian science. Instead it is argued that Combe's phrenological work, The Constitution of Man in Relation to External Objects, published thirty one years previously, not only outsold Darwin's book, but also prepared the ground into which his evolutionary theories were dropped. Phrenology and the Origins of Victorian Scientific Naturalism also sheds light on all kinds of works in Victorian Britain and America which have previously been unnoticed or were simply referred to with a vague 'naturalism of the times' explanation. By restoring Combe and his work to centre stage it provides modern scholars with a more accurate picture of the Victorians' view of their place in Nature.