Pity the Drowned Horses: Andres Montoya Poetry Prize
Autor Sheryl Lunaen Limba Engleză Hardback – 4 apr 2005
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MR – University of Notre Dame Press – 4 apr 2005 | 579.46 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780268033736
ISBN-10: 0268033730
Pagini: 84
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.22 kg
Ediția:New.
Editura: MR – University of Notre Dame Press
Seria Andres Montoya Poetry Prize
ISBN-10: 0268033730
Pagini: 84
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.22 kg
Ediția:New.
Editura: MR – University of Notre Dame Press
Seria Andres Montoya Poetry Prize
Notă biografică
Recenzii
"... there's a weighty mournfulness to Luna's borderlands, where the stark poverty of Mexico butts against the brash, unyielding sprawl of her American city. Pity the Drowned Horses takes its reader across a ravaged landscape where ... the last few hares sprint across a bloodied/highway and there are women everywhere/who have half-lost their souls/in sewing needles and vacuum-cleaner parts. In this world of little comfort, Luna is intent on seeking meaning—however bitter—in the emptiness and meditating on the redeeming power of language."—The Texas Observer, January 13, 2006
"In her opening poem, Luna declares that 'pain is living and living is pain,' but while she relentlessly probes the hardscrabble lives of many of America's Latinos, these poems aren't grim reading. They're transfigured by this debut author's extraordinary lyric power." —Library Journal, August 1, 2005
"[A] heartfelt testimony from the borderlands, the place where music clanks like chains as history simultaneously crumbles and rebuilds itself, where weary dancers laugh anger away. …a triumphant debut and worthy of keeping company with the classic titles of border literature. Luna proves herself a leader among the next generation of Chicano poets."—El Paso Times, July 17, 2005
“Sheryl Luna’s debut collection, Pity the Drowned Horses, poses several questions about the meaning of ‘home’: is it rooted to a particular place? can we escape it? can we find it elsewhere? once we’ve left, can we return? . . . She circles through various locales and landscapes, including San Francisco, New Orleans, Washington, D.C., Prague, and Paris, but like the frayed-wing hawk who drifts through the collection, Luna’s speaker is drawn, slightly battered, back to the desert of her origins.” —Latino Poetry Review, Issue 1