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Plato and Levinas: The Ambiguous Out-Side of Ethics

Autor Tanja Staehler
en Limba Engleză Paperback – 27 feb 2015
In the second half of the twentieth century, ethics has gained considerable prominence within philosophy. In contrast to other scholars, Levinas proposed that it be not one philosophical discipline among many, but the most fundamental and essential one. Before philosophy became divided into disciplines, Plato also treated the question of the Good as the most important philosophical question.
Levinas's approach to ethics begins in the encounter with the other as the most basic experience of responsibility. He acknowledges the necessity to move beyond this initial, dyadic encounter, but has problems extending his approach to a larger dimension, such as community. To shed light on this dilemma, Tanja Staehler examines broader dimensions which are linked to the political realm, and the problems they pose for ethics.
Staehler demonstrates that both Plato and Levinas come to identify three realms as ambiguous: the erotic, the artistic, and the political. In each case, there is a precarious position in relation to ethics. However, neither Plato nor Levinas explores ambiguity in itself. Staehler argues that these ambiguous dimensions can contribute to revealing the Other’s vulnerability without diminishing the fundamental role of unambiguous ethical responsibility.
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Specificații

ISBN-13: 9781138870574
ISBN-10: 1138870579
Pagini: 296
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate

Notă biografică

Dr. Tanja Staehler is Senior Lecturer in Philosophy at the University of Sussex.

Cuprins

Introduction
a) The Central Question b) Plato’s Phaedrus c) Levinas’s Two Main Works d) Levinas on Plato e) Methodological Remarks f) Before Culture
Part I: The Self Chapter 1: Preliminary Reflections on the Self
a) Interiority and the Myth of Gyges b) Otherness in the Same
Chapter 2: Dimensions of Corporeality
a) Levinas and the Body as Vulnerability
b) The Body in Plato’s Phaedrus
Chapter 3: Enjoyment or Suffering? Modes of Sensibility
a) The permanent truth of hedonist moralities
b) Pleasure, Pain, and Vulnerability
Part II: The Other Chapter 4: Origins of Speech
a) Speech as Apology
b) Socratic and Levinasian Teaching
Chapter 5: The Ambiguity of Eros
a) Levinas about Eros between Being and Non-Being
b) Plato on Beauty and Wings
c) The Place of Eros
Chapter 6: The Ethical Relationship
a) The Paradox of Ethical Resistance b) An Infinite Responsibility c) Getting under the Skin
Part III: The Others Chapter 7: The Universality of the Good
a) Levinas and Universal Humanism b) Plato and the Good beyond Being
Chapter 8: Communities, Politics, Laws
a) Plato on the Advantages and Disadvantages of Law b) Levinas and the Political Calculus
Part IV: Historical-Cultural Worlds Chapter 9: The Critique of Writing
a) Writing Versus Speech b) The Saying and the Said
Chapter 10: The Ambiguity of the Aesthetic
a) Images and Shadows b) The Irresponsibility of Art c) The Work and Tyranny
Chapter 11: History and Culture
a) Between Past and Future b) Levinas and the Stranger c) Philosophers and Strangers in Plato
Chapter 12: Concluding Remarks on Ethics and Ambiguity
a) Univocal Ethics? b) Ambiguity in de Beauvoir, Merleau-Ponty, and Levinas c) Attempting a Genealogy of Ambiguity d) Plato’s Contribution

Descriere

Like Plato, Emmanuel Levinas believed that ethics was the most fundamental philosophical discipline.  Levinas's approach to ethics begins in the encounter with the other as the most basic experience of responsibility. He acknowledges the necessity to move beyond this initial, dyadic encounter, but has problems extending his approach to a larger dimension, such as community. To shed light on this dilemma, Tanja Staehler examines broader dimensions which are linked to the political realm, and the problems they pose for ethics. Staehler demonstrates that both Plato and Levinas come to identify three realms as ambiguous: the erotic, the artistic, and the political. Staehler argues that these ambiguous dimensions can contribute to revealing the Other’s vulnerability without diminishing the fundamental role of unambiguous ethical responsibility.