Playing with Grown Ups: Modern Plays
Autor Hannah Pattersonen Limba Engleză Paperback – 13 mai 2013
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Specificații
ISBN-13: 9781472530691
ISBN-10: 1472530691
Pagini: 112
Dimensiuni: 129 x 198 x 10 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472530691
Pagini: 112
Dimensiuni: 129 x 198 x 10 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Theatre503 is at the cutting edge of new writing and has been described by the Guardian as 'arguably the most important theatre in Britain today' and won an Olivier award in 2010 for its production of Katori Hall's The Mountaintop.
Notă biografică
Hannah Patterson is a writer for theatre and film. Her debut play, MUCH, premiered at the Cock Tavern in 2010. Other plays include The Weakness In Me and AID (Winners of the one-act New Plays Project; Jersey Arts Trust/Old Vic New Voices), and Resistantes, which she also performed (Paines Plough /'Come to Where I'm From'). Hannah is the co-writer and producer of the documentary film Shelter in Place, winner of the Channel 4 BRITDOC Foundation's Pitch Prize, and has written for publications including Sight & Sound, The International Film Guide, Time Out and the Guardian.
Recenzii
Patterson's sharp, funny script twists the knife into twenty-first-century life, bleak in its portrayal . . . of a generation of women struggling with the reality of feminism's legacy.
[An] enjoyable and thought-provoking four-hander ... There is something for everyone in this sharply observed comedy, which tackles everything from middle-aged regret and the myth of having it all to the question of whether fulfilment lies in a pile of nappies. It is potential dynamite and there are moments when this piece fizzes with comedy as well as emotion ... the play is smartly funny and intelligent, and dares to confront a taboo: that not every woman falls head over heels in love with her baby, and that sometimes work may be more alluring and fulfilling than motherhood.
Engaging new writing that asks the important question "can women have it all?" without providing a simplistic answer.
[An] enjoyable and thought-provoking four-hander ... There is something for everyone in this sharply observed comedy, which tackles everything from middle-aged regret and the myth of having it all to the question of whether fulfilment lies in a pile of nappies. It is potential dynamite and there are moments when this piece fizzes with comedy as well as emotion ... the play is smartly funny and intelligent, and dares to confront a taboo: that not every woman falls head over heels in love with her baby, and that sometimes work may be more alluring and fulfilling than motherhood.
Engaging new writing that asks the important question "can women have it all?" without providing a simplistic answer.