Plays from Contemporary Hungary: ‘Difficult Women’ and Resistant Dramatic Voices: Prah, Prime Location, Sunday Lunch, The Dead Man, The Bat: Methuen Drama Play Collections
Editat de Szilvi Naray Autor Krisztina Tóth, Janos Hay, György Spiróen Limba Engleză Paperback – 7 feb 2024
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Paperback (1) | 167.42 lei 3-5 săpt. | +44.28 lei 4-10 zile |
Bloomsbury Publishing – 7 feb 2024 | 167.42 lei 3-5 săpt. | +44.28 lei 4-10 zile |
Hardback (1) | 468.66 lei 6-8 săpt. | |
Bloomsbury Publishing – 7 feb 2024 | 468.66 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781350370722
ISBN-10: 135037072X
Pagini: 272
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Methuen Drama Play Collections
Locul publicării:London, United Kingdom
ISBN-10: 135037072X
Pagini: 272
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Methuen Drama Play Collections
Locul publicării:London, United Kingdom
Caracteristici
Features some of the most compelling contemporary Hungarian drama by young, award-winning authors who have all been in direct conflict with the Hungarian government and have been demonised by the state-controlled press
Notă biografică
Szilvi Naray-Davey is a translator/director and academic author. She specialises in contemporary Hungarian drama. Her last full-scale production was the critically well received production of her translation of PRAH written by Gyorgy Spiro. She publishes on translating literature and drama and most recently about the Hungarian translation of The Second Sex.György Spiró is a dramatist, novelist and essayist who has emerged as one of post-war Hungary's most prominent literary figuresJános Háy is a popular short-story writer, poet, essayist, and playwright.Krisztina Tóth is a Hungarian writer, poet and translator
Cuprins
Introduction: 'Difficult Women' and ResistancePlaywright's BiographiesThe PlaysPrah by György Spiró Prime Location by György SpiróSunday Lunch by János Háy The Dead Man by János HáyThe Bat by Krisztina Tóth