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Poetics: Ann Arbor Paperbacks

Autor Aristotle Traducere de Gerald Else
en Limba Engleză Paperback – mai 1967
Aristotle's Poetics is a work of transcendent importance, both for the history of literary criticism and in its own right.

In his masterful translation and accompanying notes, Dr. Else makes a special effort to achieve maximum clarity, while remaining faithful to the original.  His constant aim is to provide -- for all readers -- a "way in" to Aristotle's processes of thinking about literature.

This important modern translation is made form the 1965 Oxford Classical Text edition of the Poetics by Rudolf Kassel and thus reflects the latest and most authoritative textual scholarship.  Not only the translation but the valuable fund of commentary will delight anyone -- literary critic, philosopher, classicist, or general reader -- who want to learn what Aristotle really said.
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Specificații

ISBN-13: 9780472061662
ISBN-10: 0472061666
Pagini: 132
Dimensiuni: 133 x 203 x 12 mm
Greutate: 0.11 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Seria Ann Arbor Paperbacks


Notă biografică

GERALD F. ELSE was professor of Greek and Latin and directed the Center for Ancient and Modern Studies at the University of Michigan.  Educated at Harvard, he taught there and at the University of Iowa.  He is the author of The Origin and Early Form of Greek Tragedy and the well-known Aristotle's Poetics: The Argument.

Descriere

A work of transcendent importance, both for the history of literary criticism and in its own right

Cuprins

Translated with an Introduction and Notes by Malcolm Heath

Introduction
1. Human culture, poetry and the Poetics
2. Imitation
3. Aristotle's history of poetry
4. The analysis of tragedy
5. Plot: the basics
6. Reversal and recognition
7. The best kinds of tragic plot
8. The pleasures of tragedy
9. The other parts of tragedy
10. Tragedy: miscellaneous aspects
11. Epic
12. Comedy
13. Further reading
14. Reference conventions
Notes to the Introduction
Synopsis of the Poetics

POETICS

Notes to the translation


Textul de pe ultima copertă

Aristotle's Poetics is one of the most powerful, perceptive and influential works of criticism in Western literary history. A penetrating, near-contemporary account of Greek tragedy, it demonstrates how the elements of plot, character and spectacle combine to produce 'pity and fear' - and why we derive pleasure from this apparently painful process. It introduces the crucial concepts of mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. It examines the mythological heroes, idealized yet true to life, whom Aeschylus, Sophocles and Euripides brought on to the stage. And it explains how the most effective plays rely on complication and resolution, recognitions and reversals. Essential reading for all students of Greek literature and of the many Renaissance and post-Renaissance writers who consciously adopted Aristotle as a model, the Poetics is equally stimulating for anyone interested in theatre today.

Recenzii

"I find the Introduction extremely convincing, lucid, learned, fair to past scholarship, and truly illuminating about the meaning of tragedy in general and about the very specific acceptions of hamartia, katharsis, ekplxis, and thauma, in the context of an appropriate understanding of the Poetics. Another remarkable feature is the dexterity and ease with which it draws on all the relevant parts of the Aristotelian corpus to shed light on troublesome textual passages in the Poetics. Finally, the style of the Introduction is straightforward, free of unnecessary jargon, direct, and economical, the best interpretation of the Poetics I ever read." -- Sabetai Unguru, Tel Aviv University
"The translations of Joe Sachs are a great gift to Greekless amateurs like me. He uses simple, unambiguous words joined into sentences that are often complex, as they must be to be accurate, but always clear (after sufficient attention has been paid). A stylist may find some awkwardness in the hyphenated compound words and the noun clauses he prefers to the polysyllabic Latinate words often found in English versions of Aristotle. But these blunt locutions along with Sachs' excellent notes manage to convey both the richness of meaning and the clarity of thought of their Greek antecedents. The resulting translation may strike some as awkward in style, but it will strike the careful reader who cares about what is translated as elegant (in the way mathematicians use that word)." -- Jerry L Thompson, Author, "Truth & Photography"