Popular Tropes of Identity in Contemporary Russian Television and Film
Autor Irina Souchen Limba Engleză Hardback – 15 noi 2017
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Specificații
ISBN-13: 9781501329067
ISBN-10: 1501329065
Pagini: 248
Ilustrații: 49 bw illus
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501329065
Pagini: 248
Ilustrații: 49 bw illus
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Combines and critically examines, for the first time, relevant work on identity formation by Russian and Western scholars such as Yurii Levada, Lev Gudkov, Boris Dubin, Mikhail Bakhtin, Lauren Berlant, Pierre Bourdieu, Judith Butler, Jacques Derrida, Michel Foucault, Stuart Hall and Kaja Silverman
Notă biografică
Irina Souch is Lecturer in Literary and Cultural Analysis at the University of Amsterdam, The Netherlands.
Cuprins
List of FiguresNote on Transliteration and Translation Introduction: Popular Tropes of Identity in Contemporary Russian Television and Film: An IntroductionOne: From paternal authority to brotherhood: Soviet identity myths in transitionTwo: Us versus them: fantasies of otherness in the construction of post-Soviet identityThree: Double thinking: negotiating adjustment to societal changeFour: The waning family: gender and generations in post-Soviet societyFive: Towards new forms of sociality: laughter as a socially productive force AfterwordNotesReferencesIndex
Recenzii
Parents and children. Us and them. Families in need of repair. Irina Souch analyzes these societal constructions (and more) through case studies of recent Russian popular films and television serials. By exploring the ways that post-Soviet culture has wrestled with individual, group, and familial identities, Souch persuasively demonstrates how contemporary Russianness is constructed through narratives that interpret the past while also reworking popular cultural tropes. Souch illustrates how television shows and films have played important role in the creation of new Russian myths of brotherhood, patriarchal authority, enemies, and family life.
Irina Souch is an expert in cultural analysis, and a cinema lover with insider knowledge of Russia. Her reflections on identity formation deepen existing scholarship on post-Soviet audiovisual culture, and they offer an entertaining (but pleasantly critical) read. This book is, in short, very good news -- for film and TV historians, but for Russianists, sociologists, and experts in cultural studies, too.
Irina Souch is an expert in cultural analysis, and a cinema lover with insider knowledge of Russia. Her reflections on identity formation deepen existing scholarship on post-Soviet audiovisual culture, and they offer an entertaining (but pleasantly critical) read. This book is, in short, very good news -- for film and TV historians, but for Russianists, sociologists, and experts in cultural studies, too.