Cantitate/Preț
Produs
Total produse
Vezi coșul
Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time de H. Ford

Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time

Autor H. Ford
en Limba Engleză Hardback – 29 oct 2012
A unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 37540 lei  6-8 săpt.
  Palgrave Macmillan UK – 2012 37540 lei  6-8 săpt.
Hardback (1) 38141 lei  6-8 săpt.
  Palgrave Macmillan UK – 29 oct 2012 38141 lei  6-8 săpt.

Preț: 38141 lei

Nou

Puncte Express: 572
Preț estimativ în valută:
7300€ • 7609$ • 6077£

Carte tipărită la comandă

Livrare economică 06-20 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780230368873
ISBN-10: 0230368875
Pagini: 284
Ilustrații: X, 284 p.
Dimensiuni: 140 x 216 x 25 mm
Greutate: 0.52 kg
Ediția:2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

Introduction PART I: THE NEGATIVE IMPRESSION Cinema's Ontological Challenge Reflexive Formal Violence PART II: AN ANXIOUS PAUSE Dangerous Temporalities A New World Conclusion Works Cited Notes Index

Recenzii

'Ford draws on a wide range of research across film, modernist cultural and aesthetic theory and continental philosophical terrains. The work engages both with more recent film-philosophy scholarship and the disciplinary resources of film studies work on the movements and individual filmmakers in question. A successful and important contribution to scholarship on these films, their historical and aesthetic significance and their capacity to 'do' philosophy.' - Patrick Crogan, University of the West of England, UK

Notă biografică

HAMISH FORD is Lecturer in Film, Media and Cultural Studies at Newcastle University, Australia. He has published journal articles in The Year's Work in Critical and Cultural Theory, Senses of Cinema and Real Time, and has contributed to books including New Takes in Film-Philosophy (Palgrave, 2011).