Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time
Autor H. Forden Limba Engleză Hardback – 29 oct 2012
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 367.15 lei 6-8 săpt. | |
Palgrave Macmillan UK – 2012 | 367.15 lei 6-8 săpt. | |
Hardback (1) | 373.04 lei 6-8 săpt. | |
Palgrave Macmillan UK – 29 oct 2012 | 373.04 lei 6-8 săpt. |
Preț: 373.04 lei
Nou
Puncte Express: 560
Preț estimativ în valută:
71.40€ • 75.81$ • 59.14£
71.40€ • 75.81$ • 59.14£
Carte tipărită la comandă
Livrare economică 25 decembrie 24 - 08 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780230368873
ISBN-10: 0230368875
Pagini: 284
Ilustrații: X, 284 p.
Dimensiuni: 140 x 216 x 25 mm
Greutate: 0.52 kg
Ediția:2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
ISBN-10: 0230368875
Pagini: 284
Ilustrații: X, 284 p.
Dimensiuni: 140 x 216 x 25 mm
Greutate: 0.52 kg
Ediția:2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
Cuprins
Introduction PART I: THE NEGATIVE IMPRESSION Cinema's Ontological Challenge Reflexive Formal Violence PART II: AN ANXIOUS PAUSE Dangerous Temporalities A New World Conclusion Works Cited Notes Index
Recenzii
'Ford draws on a wide range of research across film, modernist cultural and aesthetic theory and continental philosophical terrains. The work engages both with more recent film-philosophy scholarship and the disciplinary resources of film studies work on the movements and individual filmmakers in question. A successful and important contribution to scholarship on these films, their historical and aesthetic significance and their capacity to 'do' philosophy.' - Patrick Crogan, University of the West of England, UK
Notă biografică
HAMISH FORD is Lecturer in Film, Media and Cultural Studies at Newcastle University, Australia. He has published journal articles in The Year's Work in Critical and Cultural Theory, Senses of Cinema and Real Time, and has contributed to books including New Takes in Film-Philosophy (Palgrave, 2011).