Previously Owned: Stahlecker Selections
Autor Nathan McClainen Limba Engleză Paperback – 14 sep 2022
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Specificații
ISBN-13: 9781954245266
ISBN-10: 1954245262
Pagini: 120
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.2 kg
Editura: FOUR WAY BOOKS
Colecția Four Way Books
Seria Stahlecker Selections
ISBN-10: 1954245262
Pagini: 120
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.2 kg
Editura: FOUR WAY BOOKS
Colecția Four Way Books
Seria Stahlecker Selections
Recenzii
"In Previously Owned, America's dark history is not quaintly rooted in the past, but dangerously ever-present. 'And what / have you learned from / standing here so long / examining pain?' Nathan McClain questions in the opening poem 'Boy Pulling a Thorn from His Foot'-not just the reader-himself as witness. If Scale, his first collection, can be said to be anchored in domestic space, then Previously Owned expands the architecture of that domestic space to include Country and the country. The ways in which McClain troubles the pastoral and peripatetic traditions thrills me: 'I've never actually seen a moose, / only signs warning of moose, / and NO PASSING ZONE signs' ('Where the View Was Clearer'); and of the fireflies in 'Now that I live in this part of the country,' 'look, they / flash the way hazard / lights sometimes flash… / and I might have said, no, / don't they seem to pulse / with the glow of old / grievances?' This book is a triumph and will be talked about for years. Nathan McClain is one of the most daring poets I know."
-Tommye Blount
"The opening poem of Nathan McClain's Previously Owned operates like the legend of a map, a key to the book's existential topography. The poem's presenting subject is a Roman sculpture of a boy pulling a thorn from his foot, or 'not pulling / rather, about to pull.' McClain addresses the self via the second person, and draws in the reader, too, as observer: 'and here you / are, looking,' witness to the boy's 'insistent grief.' 'And what // have you learned from / standing here so long examining pain?' Previously Owned exists in this incremental space-the about to pull, the almost, the grief, the tenderness, the examination, and the distance. It's a masterstroke in a masterful collection, in which a speaker of a nuanced intelligence and lush interiority reflects upon the American landscape, its pastoral and judicial and historical duplicity entwined with racial alienation and violence. McClain has written a collection of sculptural artfulness-through which the thorn of grief thrums still."
-Diane Seuss
"Nathan McClain’s Previously Owned is no-nonsense, meat and potatoes, good gotdam poetry. Careful readers will appreciate how exquisitely crafted are his lines, how resonant his images, how thoughtful his progressions. What’s more, McClain’s second volume shows us a writer who, like Robert Hayden before him, neither ignores nor is encumbered by his country’s complicated history. His topics range widely and the whole of the human landscape—physical, psychological—is his, and ours, for the roaming."
-John Murillo
-Tommye Blount
"The opening poem of Nathan McClain's Previously Owned operates like the legend of a map, a key to the book's existential topography. The poem's presenting subject is a Roman sculpture of a boy pulling a thorn from his foot, or 'not pulling / rather, about to pull.' McClain addresses the self via the second person, and draws in the reader, too, as observer: 'and here you / are, looking,' witness to the boy's 'insistent grief.' 'And what // have you learned from / standing here so long examining pain?' Previously Owned exists in this incremental space-the about to pull, the almost, the grief, the tenderness, the examination, and the distance. It's a masterstroke in a masterful collection, in which a speaker of a nuanced intelligence and lush interiority reflects upon the American landscape, its pastoral and judicial and historical duplicity entwined with racial alienation and violence. McClain has written a collection of sculptural artfulness-through which the thorn of grief thrums still."
-Diane Seuss
"Nathan McClain’s Previously Owned is no-nonsense, meat and potatoes, good gotdam poetry. Careful readers will appreciate how exquisitely crafted are his lines, how resonant his images, how thoughtful his progressions. What’s more, McClain’s second volume shows us a writer who, like Robert Hayden before him, neither ignores nor is encumbered by his country’s complicated history. His topics range widely and the whole of the human landscape—physical, psychological—is his, and ours, for the roaming."
-John Murillo
Notă biografică
Nathan McClain was born and raised in the lower desert of Southern California. He is the author of Scale (Four Way Books, 2017), a recipient of fellowships from The Frost Place, Sewanee Writers' Conference, Bread Loaf Writers' Conference, and a graduate of the M.F.A. Program for Writers at Warren Wilson. A Cave Canem fellow, his poems and prose have recently appeared or are forthcoming in Poetry Northwest, Green Mountains Review, Guesthouse, The Common, and The Critical Flame, among others. He is an Assistant Professor of Creative Writing and African American Literary Arts at Hampshire College and serves as poetry editor of the Massachusetts Review.
Extras
from What You Call It
…The peach was simply a peach,
and there for the taking,
which is often said of an object that has gone
unwatched for too long, susceptible
to trespass, which happens
first in the mind, and happened first
because of fruit,
or so says The Good Book
if you believe in such things. Knowledge,
which a poet once called "historical," too
a trespassing of sorts, the proof of which
perhaps best shown in how one
might punish a slave who had been
taught to read the word beauty or toil
or rest, secretly, and by firelight.
There are things nearly impossible
to forget, having so trespassed...
…The peach was simply a peach,
and there for the taking,
which is often said of an object that has gone
unwatched for too long, susceptible
to trespass, which happens
first in the mind, and happened first
because of fruit,
or so says The Good Book
if you believe in such things. Knowledge,
which a poet once called "historical," too
a trespassing of sorts, the proof of which
perhaps best shown in how one
might punish a slave who had been
taught to read the word beauty or toil
or rest, secretly, and by firelight.
There are things nearly impossible
to forget, having so trespassed...