Purcell: The Baroque Composers
Editat de Peter Holmanen Limba Engleză Paperback – 14 oct 2024
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Specificații
ISBN-13: 9781032918549
ISBN-10: 1032918543
Pagini: 576
Dimensiuni: 174 x 246 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria The Baroque Composers
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032918543
Pagini: 576
Dimensiuni: 174 x 246 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria The Baroque Composers
Locul publicării:Oxford, United Kingdom
Public țintă
AcademicCuprins
Contents: Introduction; Part I Biography and Contexts: Only Purcell e're shall equal Blow, Bruce Wood; The Italian connection: Giovanni Battista Draghi and Henry Purcell, Peter Holman; Purcell's stage singers and Purcell's stage singers: a documentary list, Olive Baldwin and Thelma Wilson; 'He had the honour to be your master': Lady Rhoda Cavendish's music lessons with Henry Purcell, Michael Burden; Letter from Aleppo: dating the Chelsea School performance of Dido and Aeneas, Bryan White. Part II Sources, Editing and Dissemination: Manuscript music in Purcell's London, Robert Thompson; Creating the corpus: the 'complete keyboard music' of Henry Purcell, Christopher Hogwood; The Fairy Queen: a fresh look at the issues, Bruce Wood and Andrew Pinnock; Newly discovered autograph keyboard music of Purcell and Draghi, Curtis Price; Purcell's Rejoice in the Lord, all ways, Lionel Pike; Robert Pindar, Thomas Busby, and the mysterious scoring of Henry Purcell's Come Ye Sons of Art, Rebecca Herissone. Part III Styles, Genres and Compositional Process: The technique and forms of Purcell's sonatas, Michael Tilmouth; Purcell's extended solo songs, Margaret Laurie; Purcell's Laudate Ceciliam: an essay in stylistic experimentation, Martin Adams; Purcell's revisions to the funeral sentences revisited, Robert Shay; Compositional choices in Henry Purcell's Three Parts Upon a Ground, Peter Holman; Composition as an act of performance: artifice and expression in Purcell's sacred partsong Since God So Tender a Regard, Alan Howard; 'Fowle originalls' and 'fayre writeing': reconsidering Purcell's compositional process, Rebecca Herissone. Part IV Performance, Performance Practice and Reception: The Shakespeare-Purcell Fairy Queen: a defence and recommendation, Roger Savage; Continuity and tempo in Purcell's vocal works, A. Margaret Laurie; The first performance of Purcell's Funeral Music for Queen Mary, Bruce Wood; 'Or rather our musical Shakespeare': Charles Burney's Purcell, Richard Luckett; Purcell debauch'd: the Dramatick Operas in performance, Michael Burden; Name Index.
Notă biografică
Peter Holman, Professor of Historical Musicology, University of Leeds, UK
Descriere
The articles in this volume are a representative selection of the best scholarly writing on Purcell's music. The collection reflects the increase in new research stimulated by Purcell's 300th anniversary in 1995 and the introduction explores the history of Purcell scholarship, reviews its present state, comments on the significance of the articles
Recenzii
He [Holman] always has something freshly reconsidered and illuminating to say
Holman always balances concerns of theory and practice in his musical comments while bringing to bear a mass of curious detail from the cultural background of the day
Holman always balances concerns of theory and practice in his musical comments while bringing to bear a mass of curious detail from the cultural background of the day