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Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism

Autor Daniel Albright
en Limba Engleză Paperback – 13 dec 2006
Quantum Poetics is a study of the way Modernist poets appropriated scientific metaphors as part of a general search for the pre-verbal origins of poetry. In this wide-ranging and eloquent study, leading Modernist scholar Daniel Albright examines Yeats's, Eliot's, and Pound's search for the elementary particles from which poems were constructed. The poetic possibilities offered by developments in scientific discourse intrigued a Modernist movement intent on remapping the theory of poetry. Using models supplied by physicists, Yeats sought for the basic units of poetic force through his sequence A Vision and through his belief in and defense of the purity of symbols. Pound's whole critical vocabulary, Albright claims, aims at drawing art and science together in a search for poetic precision, the tiniest textual particles that held poems together. Through a series of patient and original readings, Quantum Poetics demonstrates how Eliot, Lawrence, and others formulated what Albright calls "a wave-theory of poetry", a mode of expression intended to create telepathic intimacy between writer and reader and to encourage a whole new way of thinking about poetry and science as two different aspects of the same reality. This comprehensive study from a leading scholar of Modernism is a fresh examination of the relationship between science and Modernist poetry.
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Specificații

ISBN-13: 9780521035330
ISBN-10: 0521035333
Pagini: 320
Ilustrații: 11 b/w illus.
Dimensiuni: 152 x 228 x 20 mm
Greutate: 0.47 kg
Ediția:Revised
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom

Cuprins

List of illustrations; Notes on references; Introduction; Part I. Yeats's Waves: 1. Yeats's figures as reflections in water; 2. Yeats and the avant-garde; 3. The theme of homunculus: Yeats and Wyndham Lewis; 4. Yeats and the sublime; Part II. Pound's Particles: 5. Minima (elementary particles of modernist poetry); 6. Symbol (Yeats's precursor to Pound's image); 7. The decay of symbols; 8. Things in themselves (Pound's anti-allegorism); 9. Image (Kandinsky, Brancusi, Tchelitchew); 10. Units of rhythm (Antheil); 11. Ideogram; 12. Vortex; 13. The decay of vortices; 14. The null set (Hugh Selwyn Mauberley); Part III. Eliot's Waves: 15. Monadological metaphors in Eliot's early work; 16. Narratives tied in knots; 17. Christ-particles in Eliot's late work (relief form the waves); Bibliography; Index.

Recenzii

'Quantum Poetics offers a better context in which to make sense of Modernism's obsessive need to isolate elementary literary units: 'classicism', for example, might explain the temperament that produced the vortex, but reference to science explains the force and motion of the vortex itself. Best of all, Albright gives us a new way to understand how Modernism's various characteristic ambivalences resolve themselves.' Journal of English and Germanic Philology

Descriere

Explores the complex intersection between science and poetry in the work of Yeats, Eliot and Pound.