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Queer Temporalities in Gay Male Representation: Tragedy, Normativity, and Futurity: Routledge Studies in Rhetoric and Communication

Autor Dustin Bradley Goltz
en Limba Engleză Paperback – iul 2011
Through the analysis of over seventy films and thirty television series, ranging from Shortbus, Sweet Home Alabama, and Poseidon to Noah’s Arc, Brothers & Sisters, and Dawson’s Creek, Goltz examines reoccurring narrative structures in popular media that perpetuate the extreme value placed upon "young" gay male bodies, while devaluing health, aging, and longevity. Alienated from the future -- outside of limited and exclusionary systems of marriage and procreation -- the gay male is narrated within a circular tragedy that draws upon cultural mythologies of "older" gay male predation, the absence of gay intergenerational mentorship, and the gay male as sacrificial victim. Using a Burkean framework, Goltz makes a theoretical, rhetorical, and cultural investigation of how the increased visibility of "positive" gay representation in dominant media shapes contemporary meanings of gay aging, heteronormative future, homonormative future, and queer potential.
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Specificații

ISBN-13: 9780415898157
ISBN-10: 0415898153
Pagini: 208
Dimensiuni: 152 x 229 x 11 mm
Greutate: 0.38 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Rhetoric and Communication

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Acknowledgments 1: Introduction: "Deleted Scenes" and "Innocent Questions" 2: The Heteronormative Tragedy: Kenneth Burke and Queer Media Criticism 3: Victims in/of Time: Gay Aging as Ritualized Horror 4: Future Identification: Symbolic Mergers with Heteronormativity 5: The Dinner Party: Queer Gesturing to Time and Future Notes Bibliography Index

Descriere

Through the analysis of over seventy films and thirty television series, ranging from Shortbus, Sweet Home Alabama, and Poseidon to Noah’s Arc, Brothers & Sisters, and Dawson’s Creek, Goltz examines reoccurring narrative structures in popular media that perpetuate the extreme value placed upon "young" gay male bodies, while devaluing health, aging, and longevity. Alienated from the future -- outside of limited and exclusionary systems of marriage and procreation -- the gay male is narrated within a circular tragedy that draws upon cultural mythologies of "older" gay male predation, the absence of gay intergenerational mentorship, and the gay male as sacrificial victim. Using a Burkean framework, Goltz makes a theoretical, rhetorical, and cultural investigation of how the increased visibility of "positive" gay representation in dominant media shapes contemporary meanings of gay aging, heteronormative future, homonormative future, and queer potential.