Queer Theory and Brokeback Mountain: Film Theory in Practice
Autor Dr. Matthew Tinkcomen Limba Engleză Paperback – 5 apr 2017
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Specificații
ISBN-13: 9781501318825
ISBN-10: 1501318829
Pagini: 144
Dimensiuni: 127 x 197 x 27 mm
Greutate: 0.16 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Theory in Practice
Locul publicării:New York, United States
ISBN-10: 1501318829
Pagini: 144
Dimensiuni: 127 x 197 x 27 mm
Greutate: 0.16 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Theory in Practice
Locul publicării:New York, United States
Caracteristici
Sheds much-needed light as to why queer theory has been central to contemporary ideas about the relations among language, desire, sexuality, embodiment, social class, politics and media
Notă biografică
Matthew Tinkcom is Associate Professor of Communication, Culture and Technology and Affiliate Faculty of English at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp: Capital, Cinema and Grey Gardens, co-editor of Key Frames: Popular Cinema and Cultural Studies as well as articles that have appeared in Cinema Journal, South Atlantic Quarterly and collections from Duke University Press and the British Film Institute. He has served as Associate Dean for Academic Affairs in the Georgetown University School of Foreign Service in Qatar and Director of the Program in American Studies.
Cuprins
AcknowledgementsPrefaceIntroductionChapter One: Queer TheoryChapter Two: Queer Theory and Brokeback MountainConclusionList of Further Reading
Recenzii
Strongly recommended both for students coming to queer scholarship for the first time, and to those in Media Studies, Film Studies and Cultural Studies interested in how contemporary thinking around sexuality and gender might be explored in a piece of relatively mainstream cinema.
I can think of no other queer-film scholar to write this book. In Queer Theory and Brokeback Mountain, Matthew Tinkcom elegantly, clearly, and adroitly traces signature trajectories of queer theory, then stitches these concepts into traditions of film theory and close analysis. Merging Freud, Foucault, and Sedgwick with Bazin, Buscombe, and Mulvey, Tinkcom demonstrates a generous capacity to speak at once to well-heeled scholars, eager undergraduates, and cinephiles. A true page turner, Queer Theory and Brokeback Mountain delights in the complexly queer pleasures that the cinema offers.
Queer Theory and Brokeback Mountain deftly accomplishes a formidable, vital achievement: unpacking the often opaque tenets of queer theory in the service of illuminating the dynamic and contradictory cultural dialogue sparked by this landmark film. This eloquent, rigorous, and approachable volume places the film within the larger discourses of genre and reception studies while anticipating future priorities for queer media and scholarship.
In this compact volume, Matthew Tinkcom makes the key concepts of queer theory accessible to a new generation. Through its sustained, provocative engagement with Ang Lee's well-known film, this book not only introduces readers to current thought about non-normative gender and sexuality, but also demonstrates on every page how queer theory can enable fresh academic inquiry, both within and beyond film studies.
I can think of no other queer-film scholar to write this book. In Queer Theory and Brokeback Mountain, Matthew Tinkcom elegantly, clearly, and adroitly traces signature trajectories of queer theory, then stitches these concepts into traditions of film theory and close analysis. Merging Freud, Foucault, and Sedgwick with Bazin, Buscombe, and Mulvey, Tinkcom demonstrates a generous capacity to speak at once to well-heeled scholars, eager undergraduates, and cinephiles. A true page turner, Queer Theory and Brokeback Mountain delights in the complexly queer pleasures that the cinema offers.
Queer Theory and Brokeback Mountain deftly accomplishes a formidable, vital achievement: unpacking the often opaque tenets of queer theory in the service of illuminating the dynamic and contradictory cultural dialogue sparked by this landmark film. This eloquent, rigorous, and approachable volume places the film within the larger discourses of genre and reception studies while anticipating future priorities for queer media and scholarship.
In this compact volume, Matthew Tinkcom makes the key concepts of queer theory accessible to a new generation. Through its sustained, provocative engagement with Ang Lee's well-known film, this book not only introduces readers to current thought about non-normative gender and sexuality, but also demonstrates on every page how queer theory can enable fresh academic inquiry, both within and beyond film studies.