Questors, Jesters and Renegades: The Story of Britain's Amateur Theatre
Autor Michael Coveneyen Limba Engleză Paperback – 9 feb 2022
This is the vital story of the amateur theatre as it developed from the medieval guilds to the modern theatre of Ayckbourn and Pinter, with a few mishaps and missed cues along the way. Michael Coveney - a former member of Ilford's Renegades - tells this tale with a charm and wit that will have you shouting out for an encore.
Between the two world wars, amateur theatre thrived across the UK, from Newcastle to Norwich, from Bolton to Birmingham and Bangor, championed by the likes of George Bernard Shaw, Sybil Thorndike, and J B Priestley. Often born out of a particular political cause or predicament, many of these theatres and companies continue to evolve, survive and even prosper today. This is the first account of its kind, packed with anecdote and previously unheard stories, and it shows how amateur theatre is more than a popular pastime: it has been endemic to the birth of the National Theatre, as well as a seedbed of talent and a fascinating barometer and product of the times in which we live. Some of the companies Coveney delves into - all taking centre stage in this entertaining and lively book - include the Questors and Tower Theatre in London; Birmingham's Crescent Theatre; The Little Theatre in Bolton, where Ian McKellen was a schoolboy participant; the Halifax Thespians; Lincolnshire's Broadbent Theatre, co-founded by Jim Broadbent's father and other conscientious objectors at the end of World War II; Crayford's Geoffrey Whitworth Theatre, where the careers of Michael Gambon and Diana Quick were launched; Anglesey's Theatr Fach, a crucible of Welsh language theatre; and Cornwall's stunning cliff-top Minack.Toate formatele și edițiile | Preț | Express |
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Bloomsbury Publishing – 9 feb 2022 | 106.92 lei 3-5 săpt. | +22.22 lei 6-12 zile |
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Specificații
ISBN-13: 9781350265752
ISBN-10: 1350265756
Pagini: 216
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.31 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350265756
Pagini: 216
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.31 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Caracteristici
Includes
descriptions
of
the
involvement
of
major
figures
such
as
Derek
Jacobi,
Ian
McKellen,
Celia
Imrie
and
Jude
Law
-
all
of
whom
have
been
involved
in
amateur
theatre
in
various
ways
Notă biografică
Michael
Coveneywas
editor
ofPlays
and
Playersand
chief
theatre
critic,
successively,
on
the
Financial
Times,
the
Observer,
and
the
Daily
Mail.
His
other
books
include
a
history
of
the
Glasgow
Citizens
Theatre,
and
critical
biographies
of
Mike
Leigh,
Andrew
Lloyd
Webber,
Ken
Campbell
and
Maggie
Smith.
Cuprins
Foreword
by
Kenneth
BranaghPROLOGUECHAPTER
ONE:
The
Agony
and
the
Ecstasy
CHAPTER
TWO:
Mysteries,
fireworks
and
studentsCHAPTER
THREE:
WHATEVER
HAPPENED
IN
ILFORD?CHAPTER
FOUR:
Modern
stirrings
in
Newcastle,
Norwich
and
Halifax
CHAPTER
FIVE:
LONDON
PRIDE
of
the
Questors
and
the
TowerCHAPTER
SIX:
Three
non-professionals
in
profile:
Robert
Pennant
Jones,
Penny
Tuerk
and
Michael
GodleyCHAPTER
SEVEN:
All
aboard
for
the
national
theatreCHAPTER
EIGHT:
Amdram
at
the
movies,
in
novels
-
and
novel
Hamlets
CHAPTER
NINE:
The
magic
of
the
Minack
CHAPTER
TEN:
Off
-piste,
and
unknown
territory
in
Lincolnshire,
Bangor,
Anglesey
and
DumfriesCHAPTER
ELEVEN:
Riding
the
wave
towards
a
brave
new
dawn
Recenzii
A
fascinating
book
on
am-dram.
[Michael Coveney's] approach is serious and respectful. He has travelled to unearth histories of many of Britain's long-established amateur groups and venues . Coveney is not of the school that looks to am-dram for what he encapsulates as 'the hilarity of mishap' . Rather, he makes the case for its worthiness, the closeness of much of its work to that of at least the lower ranks of the professional, and its role as a seedbed of talent.
Michael Coveney's book not only charts the development of the amateur scene, (mainly in England), but also celebrates the joy of amateur theatre, warts and all . a lively celebration of a quite British phenomenon.
A wide-ranging, insightful and very funny book that charts our fascination with theatre.
Richly entertaining and informative ... What comes across vividly is that the amateur movement has made a huge contribution to the nation's story and even to the idea of a National Theatre.
An irresistible snoop into the world where so many of us were first tempted into the footlights. Michael Coveney is a trail-blazing theatrical critic; no one could tell this story better.
I particularly admire its readiness to face the patronage and belittlement of amdram and find compelling arguments to persuade sceptical readers to think again ... [it] is continuously well-researched and propelled by argument, but never preachy.
The book will also fill a vital gap in the theatrical bookshelves and relate the amateur movement to professional theatre and the wider society.
The subject is fascinating and under-investigated: to the best of my belief this is the first attempt to provide an account of it. Michael Coveney, one of our most widely experienced and highly respected theatre critics, is an ideal narrator.
Amateur theatre in his vision is the Brazilian forest of the stage, pumping out the oxygen we all feed off. It's historically informative, vividly personal, and - that rare thing - literally indispensable to an in-depth understanding of the place of theatre in the life of the nation. A genuinely important book, which also manages to be continuously entertaining.
[Michael Coveney's] approach is serious and respectful. He has travelled to unearth histories of many of Britain's long-established amateur groups and venues . Coveney is not of the school that looks to am-dram for what he encapsulates as 'the hilarity of mishap' . Rather, he makes the case for its worthiness, the closeness of much of its work to that of at least the lower ranks of the professional, and its role as a seedbed of talent.
Michael Coveney's book not only charts the development of the amateur scene, (mainly in England), but also celebrates the joy of amateur theatre, warts and all . a lively celebration of a quite British phenomenon.
A wide-ranging, insightful and very funny book that charts our fascination with theatre.
Richly entertaining and informative ... What comes across vividly is that the amateur movement has made a huge contribution to the nation's story and even to the idea of a National Theatre.
An irresistible snoop into the world where so many of us were first tempted into the footlights. Michael Coveney is a trail-blazing theatrical critic; no one could tell this story better.
I particularly admire its readiness to face the patronage and belittlement of amdram and find compelling arguments to persuade sceptical readers to think again ... [it] is continuously well-researched and propelled by argument, but never preachy.
The book will also fill a vital gap in the theatrical bookshelves and relate the amateur movement to professional theatre and the wider society.
The subject is fascinating and under-investigated: to the best of my belief this is the first attempt to provide an account of it. Michael Coveney, one of our most widely experienced and highly respected theatre critics, is an ideal narrator.
Amateur theatre in his vision is the Brazilian forest of the stage, pumping out the oxygen we all feed off. It's historically informative, vividly personal, and - that rare thing - literally indispensable to an in-depth understanding of the place of theatre in the life of the nation. A genuinely important book, which also manages to be continuously entertaining.