Rage Is the Subtext: Readings in Holocaust Literature and Film
Autor Susan Derwinen Limba Engleză Paperback – 28 mai 2015
Rage Is the Subtext charts the internal shifts of Holocaust survivors who tell their stories of suffering, loss, and endurance. Susan Derwin locates the healing effect of literary testimony in its capacity to represent the reactions of survivors to traumatic experience, while concealing other more unsettling responses from view. Beneath the explicit concerns of works by Primo Levi, Saul Friedländer, Binjamin Wilkomirski, Imre Kertész and Liliana Cavani, Derwin uncovers unspoken reserves of rage, which then become legible as formal properties of the text.
Drawing upon the analytic writings of D. W. Winnicott, Jean Améry, and others, Derwin identifies the volatile affect encrypted in testimonial narrative with experiences of social abandonment. She argues that, after liberation, many survivors were beset by an irresolvable ambivalence: on one side, they bitterly blamed their communities for abandoning them during the Holocaust; on the other, they desperately needed reconciliation with those communities in order to heal. For this reason, bearing witness became a crucial activity that contained and metabolized the survivor's rage so that an engaged life could become possible.
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Specificații
ISBN-13: 9780814252321
ISBN-10: 081425232X
Pagini: 130
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.2 kg
Ediția:1
Editura: Ohio State University Press
Colecția Ohio State University Press
ISBN-10: 081425232X
Pagini: 130
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.2 kg
Ediția:1
Editura: Ohio State University Press
Colecția Ohio State University Press
Recenzii
“Susan Derwin’s book has the potential to initiate a new debate in Holocaust studies that focuses on rage as a suppressed affect not only in the memoirs of survivors but also in critical discussions. Her focus on rage adds an important aspect to trauma studies, especially since the link between trauma and rage has been relegated to the margins of Holocaust studies and trauma studies more generally.” —Gabriele Schwab, Chancellor’s Professor of English and Comparative Literature at the University of California, Irvine
“The book is difficult to put down. Susan Derwin has made an important contribution to psychoanalytic theory itself, and through her fine-grained textual analysis she encourages a rethinking of the long-term, cross-generational effects for Holocaust survivors. Rage Is the Subtext is a beautifully crafted book, one especially compelling because Derwin is so careful to relate the authors’ words to their personal biography.” —Jeffrey Prager, professor in sociology at the University of California, Los Angeles, and senior faculty and co-dean at the New Center for Psychoanalysis, Los Angeles
Notă biografică
Susan Derwin is associate professor in the Department of Germanic, Slavic, and Semitic Studies and chair of the Program in Comparative Literature at the University of California, Santa Barbara.
Cuprins
Introduction
Another Melody
Chapter One
Encrypted Memories: Saul Friedländer’s When Memory Comes
Chapter Two
Bodies of Testimony: Primo Levi’s Survival in Auschwitz and The Drowned and the Saved
Chapter Three
Unbearable Vulnerability: Liliana Cavani’s The Night Porter
Chapter Four
Traumatic Aftermaths: Binjamin Wilkomirski’s Fragments
Chapter Five
Art of Healing: Imre Kertész’s Fatelessness
Another Melody
Chapter One
Encrypted Memories: Saul Friedländer’s When Memory Comes
Chapter Two
Bodies of Testimony: Primo Levi’s Survival in Auschwitz and The Drowned and the Saved
Chapter Three
Unbearable Vulnerability: Liliana Cavani’s The Night Porter
Chapter Four
Traumatic Aftermaths: Binjamin Wilkomirski’s Fragments
Chapter Five
Art of Healing: Imre Kertész’s Fatelessness
Descriere
Considers works by Primo Levi, Saul Friedländer, Binjamin Wilkomirski, Imre Kertész, and Liliana Cavani to chart the emotional shifts of Holocaust survivors who tell their stories of suffering, loss, and endurance.