Re-Dressing the Canon: Essays on Theatre and Gender
Autor Alisa Solomonen Limba Engleză Paperback – 30 oct 1997
Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores:
* the 'double disguise' of cross-dressed boy-actresses
* how gender relates to genre (particularly in Ibsens' realism)
* how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.
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Taylor & Francis – 30 oct 1997 | 374.04 lei 43-57 zile | |
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Taylor & Francis – 30 oct 1997 | 980.00 lei 43-57 zile |
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Specificații
ISBN-13: 9780415157216
ISBN-10: 0415157218
Pagini: 224
Dimensiuni: 138 x 216 x 15 mm
Greutate: 0.27 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415157218
Pagini: 224
Dimensiuni: 138 x 216 x 15 mm
Greutate: 0.27 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateNotă biografică
Alisa Soloman is a theatre ciritic, teacher and dramaturg in New York City. She is Associate Professor of English and Theatre at CUNY and a staff writer at the Village Voice.
Recenzii
'Like its author, this study crosses expansive terrain...' - Theatre Research Journal, 1998
`lively, accessible and thought-provoking..what is especially refreshing about her approach is that she has a practical theatre background to bring to her commentaries..a welcome addition to the field of feminist theatre studies.' - New Theatre Quarterly, 1999.
`lively, accessible and thought-provoking..what is especially refreshing about her approach is that she has a practical theatre background to bring to her commentaries..a welcome addition to the field of feminist theatre studies.' - New Theatre Quarterly, 1999.
Cuprins
Introduction; Chapter 1 Much Virtue in if; Chapter 2 The New Drama and the New Woman; Chapter 3 Materialist Girl; Chapter 4 Queering the Canon; Chapter 5 Three Canonical Crossings; Chapter 6 Epilogue;
Descriere
Solomon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis.