Reading #Instapoetry: A Poetics of Instagram: Electronic Literature
Editat de James MacKay, Jueunhae Knoxen Limba Engleză Hardback – 4 sep 2024
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Specificații
ISBN-13: 9798765105481
Pagini: 208
Ilustrații: 16 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Electronic Literature
Locul publicării:New York, United States
Pagini: 208
Ilustrații: 16 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Electronic Literature
Locul publicării:New York, United States
Caracteristici
Creates a language to analyse the interaction between social media interconnectivity, graphic design, and literary merit
Notă biografică
James Mackay is Associate Professor of Literature and Digital Cultures at European University Cyprus. Previous publications include The Salt Companion to Diane Glancy (2010) and Tribal Fantasies: Native Americans in the European Imaginary 1900-2010 (2014, with David Stirrup). He is a founder-editor of the journal Transmotion, an open-access journal of Indigenous literary and cultural studies. Recent projects include a co-edited issue of the European Journal of English Studies on Instapoetry as a transnational phenomenon. JuEunhae Knox is an External Supervisor with the Digital Humanities Institute at the University of Sheffield, UK, currently examining AI-produced poems against Instapoetry practices. Her PhD thesis at the University of Glasgow, UK, was the first to study Instapoetry and poe(t/m)-tagging in light of the Creator Economy. She led the inaugural global conference #Reading Instapoetry with James Mackay, and her article "United We 'Gram," published by Poetics Today, scrutinizes the hypertextual effects of consumerist Instapoetry trends.
Cuprins
AcknowledgementsList of Figures IntroductionJuEunhae Knox (University of Sheffield, UK) and James Mackay (European University, Cyprus)Chapter 1. E-Lit's #1 Hit: Is Instagram Poetry E-literature?Kathi Inman Berens (Portland State University, USA)Chapter 2. #Tagged: Hashing Meaning through Poe(t/m)-taggingJuEunhae Knox (University of Sheffield, UK)Chapter 3. Missed Possibilities from Unobtainable Data: The Case of Instapoetry and a Wish to Go Beyond Rupi KaurCamilla Holm Soelseth (Oslo Metropolitan University, Norway) and Eleonora Natalia Ravizza (University of Catania, Italy)Chapter 4. "Poetry is about people seeing themselves": An Interview with Kirsty MelvilleJames Mackay (European University, Cyprus) and JuEunhae Knox (University of Sheffield, UK)Chapter 5. Instant Confessions Yara Gawrieh Ekmark (independent scholar)Chapter 6. 'Former Contours': Posts, (Post) Pregnancy, and Re/turning to Creative ProcessesLaura Tansley (University of Glasgow, UK)Chapter 7. "The Floodgates Have Been Opened": Instapoetry and the Recentering of Marginalized PoetsLaura Gallon (independent scholar)Chapter 8. 'Fat, Fly, Brown Poet': Yesika Salgado, Instapoetry, and Politics in the Undergraduate ClassroomMaria Carla Sanchez (University of Miami, USA)Chapter 9. "Healing is Everyday Work": Instapoetry, Intimate Publics, and the Language of Self-HelpMillicent Lovelock (University of Manchester, UK)Chapter 10. Poetry-by-Numbers: Machine-Generating InstapoetryRyan Prewitt (Saint Louis University, USA) and Max Accardi (independent scholar)Chapter 11. How to Be a Successful #instapoet: Defying Jean Baudrillard's Hyperreal with Marketing Strategies Based on Hollie McNishMelissa Sarikaya (Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany)Chapter 12. Platform Poetics: Instapoetry in the Age of PlatformizationZak Bronson and Warren Steele (University of Western Ontario, Canada)Chapter 13. What's the Carbon Footprint of an (Insta)Poem?: Reading #poetsofinstagram in the AnthropoceneJames Mackay (European University, Cyprus) and Polina Mackay (University of Nicosia, Cyprus) List of ContributorsIndex