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Reading #Instapoetry: A Poetics of Instagram: Electronic Literature

Editat de James MacKay, Jueunhae Knox
en Limba Engleză Hardback – 4 sep 2024
This open access collection is the first to investigate the poetry of Instagram. Alongside academic essays from a variety of theoretical perspectives, it also includes accounts from people actually involved in the creation and circulation of Instapoems.In the 21st century, poetry enjoyed a publishing boom, largely thanks to the rise of a cohort of writers labelled "Instapoets" - named after the Instagram platform where many of them first became famous. The work of these writers has been controversial with other poets and literary critics, who argue that their product is in some way not really poetry: at the same time, Instapoets have reached new audiences, held sold-out readings, and been deeply loved by their fans. In this collection, writers ask how we can approach poems marked by such extreme simplicity. Can we see them as being products of their platform, created to satisfy the algorithm? Might we read their interaction with the digital environment through their hashtags? What importance should we ascribe to the high number of Instapoets from immigrant and other frequently excluded groups? What can we make of the contrast between the capitalist hustle of influencer poetry and the frequent insistence in Instapoetry on the deeply personal? Can Instapoems be generated automatically? What do they tell us about affects of the digital age?The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence onbloomsburycollections.com.
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Specificații

ISBN-13: 9798765105481
Pagini: 208
Ilustrații: 16 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Electronic Literature

Locul publicării:New York, United States

Caracteristici

Creates a language to analyse the interaction between social media interconnectivity, graphic design, and literary merit

Notă biografică

James Mackay is Associate Professor of Literature and Digital Cultures at European University Cyprus. Previous publications include The Salt Companion to Diane Glancy (2010) and Tribal Fantasies: Native Americans in the European Imaginary 1900-2010 (2014, with David Stirrup). He is a founder-editor of the journal Transmotion, an open-access journal of Indigenous literary and cultural studies. Recent projects include a co-edited issue of the European Journal of English Studies on Instapoetry as a transnational phenomenon. JuEunhae Knox is an External Supervisor with the Digital Humanities Institute at the University of Sheffield, UK, currently examining AI-produced poems against Instapoetry practices. Her PhD thesis at the University of Glasgow, UK, was the first to study Instapoetry and poe(t/m)-tagging in light of the Creator Economy. She led the inaugural global conference #Reading Instapoetry with James Mackay, and her article "United We 'Gram," published by Poetics Today, scrutinizes the hypertextual effects of consumerist Instapoetry trends.

Cuprins

AcknowledgementsList of Figures IntroductionJuEunhae Knox (University of Sheffield, UK) and James Mackay (European University, Cyprus)Chapter 1. E-Lit's #1 Hit: Is Instagram Poetry E-literature?Kathi Inman Berens (Portland State University, USA)Chapter 2. #Tagged: Hashing Meaning through Poe(t/m)-taggingJuEunhae Knox (University of Sheffield, UK)Chapter 3. Missed Possibilities from Unobtainable Data: The Case of Instapoetry and a Wish to Go Beyond Rupi KaurCamilla Holm Soelseth (Oslo Metropolitan University, Norway) and Eleonora Natalia Ravizza (University of Catania, Italy)Chapter 4. "Poetry is about people seeing themselves": An Interview with Kirsty MelvilleJames Mackay (European University, Cyprus) and JuEunhae Knox (University of Sheffield, UK)Chapter 5. Instant Confessions Yara Gawrieh Ekmark (independent scholar)Chapter 6. 'Former Contours': Posts, (Post) Pregnancy, and Re/turning to Creative ProcessesLaura Tansley (University of Glasgow, UK)Chapter 7. "The Floodgates Have Been Opened": Instapoetry and the Recentering of Marginalized PoetsLaura Gallon (independent scholar)Chapter 8. 'Fat, Fly, Brown Poet': Yesika Salgado, Instapoetry, and Politics in the Undergraduate ClassroomMaria Carla Sanchez (University of Miami, USA)Chapter 9. "Healing is Everyday Work": Instapoetry, Intimate Publics, and the Language of Self-HelpMillicent Lovelock (University of Manchester, UK)Chapter 10. Poetry-by-Numbers: Machine-Generating InstapoetryRyan Prewitt (Saint Louis University, USA) and Max Accardi (independent scholar)Chapter 11. How to Be a Successful #instapoet: Defying Jean Baudrillard's Hyperreal with Marketing Strategies Based on Hollie McNishMelissa Sarikaya (Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany)Chapter 12. Platform Poetics: Instapoetry in the Age of PlatformizationZak Bronson and Warren Steele (University of Western Ontario, Canada)Chapter 13. What's the Carbon Footprint of an (Insta)Poem?: Reading #poetsofinstagram in the AnthropoceneJames Mackay (European University, Cyprus) and Polina Mackay (University of Nicosia, Cyprus) List of ContributorsIndex