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Realism in Greek Cinema: From the Post-War Period to the Present: World Cinema

Autor Vrasidas Karalis
en Limba Engleză Paperback – 28 iul 2021
The history of Greek cinema post-1945 is best understood through the stories of its most internationally celebrated and influential directors. Focusing on the works of six major filmmakers active from just after WWII to the present day, with added consideration of many others, this book examines the development of cinema as an art form in the social and political contexts of Greece. Insights on gender in film, minority cinemas, stylistic richness and the representation of historical trauma are afforded by close readings of the work and life of such luminaries as Michael Cacoyannis, Nikos Koundouros, Yannis Dalianidis, Theo Angelopoulos, Antouanetta Angelidi, Yorgos Lanthimos, Athena-Rachel Tsangari and Costas Zapas. Throughout, the book examines how directors visually transmute reality to represent unstable societies, disrupted collective memories and national identity.
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Specificații

ISBN-13: 9781350242845
ISBN-10: 1350242845
Pagini: 304
Ilustrații: 26 bw illus
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria World Cinema

Locul publicării:London, United Kingdom

Notă biografică

Vrasidas Karalis is Sir Nicholas Laurantus Professor and Chair of Department for Modern Greek at the University of Sydney, Australia. He has published extensively on Greek political life, Greek cinema, European cinema, Byzantine historiography and contemporary political philosophy. Most recently, he has authored A History of Greek Cinema (2012) and co-edited collections on Hannah Arendt and Antigone Kefala.

Cuprins

INTRODUCTION TO THE POST-WAR GREEK CINEMA 1945-2012 CHAPTER ONEThe Construction and Deconstruction of Cinematic Realism in Michael Cacoyannis's FilmsCHAPTER TWONikos Koundouros and the cinema of anarchist realismCHAPTER THREEYannis Dalianidis and the Cryptonymies of VisualityCHAPTER FOURAn introduction to the Ocular Poetics of Theo AngelopoulosCHAPTER FIVEThe Feminine Gaze in Antoinetta Angelidi's Cinema of Imaginative CathedralsCHAPTER SIXThe No-Wave Greek cinema of TransgressionOPTIMISTIC EPILOGUE