Rebecca: BFI Film Classics
Autor Patricia Whiteen Limba Engleză Paperback – 5 mai 2021
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Specificații
ISBN-13: 9781911239437
ISBN-10: 1911239430
Pagini: 120
Ilustrații: 58 bw illus
Dimensiuni: 135 x 190 x 8 mm
Greutate: 0.19 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
ISBN-10: 1911239430
Pagini: 120
Ilustrații: 58 bw illus
Dimensiuni: 135 x 190 x 8 mm
Greutate: 0.19 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
Caracteristici
White's account's of the film's production and reception history will draw on new archival research at the David O. Selznick collection in Austin, TX and the collection of Alfred Hitchcock papers at the Margaret Herrick Library, Academy of Motion Picture Arts and Sciences in Los Angeles
Notă biografică
Patricia White is Professor of Film and Media Studies at Swarthmore College, USA. She is author of Women's Cinema/World Cinema: Projecting Contemporary Feminisms (2015) and Uninvited: Classical Hollywood Cinema and Lesbian Representability (1999), and is a member of the Camera Obscura editorial collective.
Cuprins
1. Introduction2. Production and release history3. 'Rebecca' the novel4. 'Rebecca' the film5. Reception and film criticism6. The afterlives of 'Rebecca'
Recenzii
White pays ample and poetic attention to the film's aesthetic dimensions, beautifully highlighting both Hitchcock's style and cinematic experience ... White's marvelously observed, meticulous monograph offers fitting tribute.
This in-depth look at. [the] celebrated 1940 film adaptation of Daphne du Maurier's gothic romance draws on archival research to consider themes of returning and appearance and reality.
Patricia White's study of the 1940 goth romance turns a salutary spotlight on the women who steered it to the screen. Ben Wheatley's re-do gets a nod, but there's a more fruitful comparison with Paul Thomas Anderson's Phantom Thread.
[Patricia White has found] an autonomous and brilliant path in the wide range of readings of the film that have accumulated over the years, managing to provide an original contribution and to open up further interpretative possibilities. (Bloomsbury Translation)
In Rebecca, Patricia White lends her voice to the women-among them, Daphne du Maurier, Irene Selznick, Joan Harrison, and Alma Reville, as well the film's critics-who have contributed extensively to the making and understanding of Hitchcock's classic film. In a sense White brilliantly stages yet one more return of the dead woman, Rebecca, who haunts the unnamed heroine and so many fans of the novel and the film, and in lucid and compelling prose testifies to the undying appeal of the ghostly character and her magnificent maleficence.
This in-depth look at. [the] celebrated 1940 film adaptation of Daphne du Maurier's gothic romance draws on archival research to consider themes of returning and appearance and reality.
Patricia White's study of the 1940 goth romance turns a salutary spotlight on the women who steered it to the screen. Ben Wheatley's re-do gets a nod, but there's a more fruitful comparison with Paul Thomas Anderson's Phantom Thread.
[Patricia White has found] an autonomous and brilliant path in the wide range of readings of the film that have accumulated over the years, managing to provide an original contribution and to open up further interpretative possibilities. (Bloomsbury Translation)
In Rebecca, Patricia White lends her voice to the women-among them, Daphne du Maurier, Irene Selznick, Joan Harrison, and Alma Reville, as well the film's critics-who have contributed extensively to the making and understanding of Hitchcock's classic film. In a sense White brilliantly stages yet one more return of the dead woman, Rebecca, who haunts the unnamed heroine and so many fans of the novel and the film, and in lucid and compelling prose testifies to the undying appeal of the ghostly character and her magnificent maleficence.