Touch of Evil: BFI Film Classics
Autor Richard Demingen Limba Engleză Paperback – 27 mai 2020
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Specificații
ISBN-13: 9781844579495
ISBN-10: 1844579492
Pagini: 104
Ilustrații: 60 bw illus
Dimensiuni: 155 x 235 x 9 mm
Greutate: 0.15 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
ISBN-10: 1844579492
Pagini: 104
Ilustrații: 60 bw illus
Dimensiuni: 155 x 235 x 9 mm
Greutate: 0.15 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
Caracteristici
Film's setting in a Mexican-American border town has new currency in the age of Trump and the fraught issue of the border
Notă biografică
Richard Deming is a poet, art critic, and theorist whose work explores the intersections of poetry, philosophy, and visual culture. His collection of poems, Let's Not Call It Consequence (2008), received the 2009 Norma Farber Award from the Poetry Society of America. His most recent book of poems, Day for Night,appeared in 2016. He is also the author of Listening on All Sides: Toward an Emersonian Ethics of Reading(2008), and Art of the Ordinary: the Everyday Domain of Art, Film, Literature, and Philosophy (2018). He contributes to such magazines as Artforum, Sight & Sound, and The Boston Review. His poems have appeared in such places as Iowa Review, Field, American Letters & Commentary, and The Nation. He teaches at Yale University, USA where he is the Director of Creative Writing. Winner of the Berlin Prize, he was the Spring 2012 John P. Birkelund Fellow of the American Academy in Berlin.
Cuprins
Preface: Touching Back on Touch of Evil.1. Noir's Epitaph 2. Scene analysis3. Characters and themes4. Final stages and legacyCreditsBibliographyIndex
Recenzii
Engaging. It combines a blow-by-blow account of the thriller's troubled production with a thoughtful rebuttal to Paul Schrader's description of it as "film noir's epitaph", while Orson Welles' shadow inevitably looms large.
"[The] BFI Film Classics. make a welcome return with Richard Deming's excellent study of A Touch of Evil. Orson Welles's 1958 noir is justly celebrated by film aficionados, though its meandering plot has puzzled many viewers. Deming's book is a fine guide for the perplexed
In this contribution to the BFI Film Classics series, Richard Deming explores what makes Touch of Evil so intricate and so knowing as a parable of idealism dying many deaths. Deming ably conveys just how visceral the film is.
"[The] BFI Film Classics. make a welcome return with Richard Deming's excellent study of A Touch of Evil. Orson Welles's 1958 noir is justly celebrated by film aficionados, though its meandering plot has puzzled many viewers. Deming's book is a fine guide for the perplexed
In this contribution to the BFI Film Classics series, Richard Deming explores what makes Touch of Evil so intricate and so knowing as a parable of idealism dying many deaths. Deming ably conveys just how visceral the film is.