Seeing Fans: Representations of Fandom in Media and Popular Culture
Editat de Dr. Lucy Bennett, Dr. Paul Boothen Limba Engleză Paperback – 24 ian 2018
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Specificații
ISBN-13: 9781501339547
ISBN-10: 1501339540
Pagini: 336
Ilustrații: 5 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.46 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501339540
Pagini: 336
Ilustrații: 5 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.46 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Brings together fan scholars across a range of disciplines and with a breadth of experiences to focus on the impact of different representational aspects of fandom as they relate to larger issues in cultural studies
Notă biografică
Lucy Bennett is a researcher at JOMEC, Cardiff University, UK.Paul Booth is Professor of Media and Cinema Studies at DePaul University, USA.
Cuprins
Foreword by Orlando JonesIntroductionDocumenting Fans: Shades of Reality1. Mark Duffett, "Beyond Exploitation Cinema: Music Fandom, Disability and Mission to Lars"2. Rebecca Williams, "'We Live Round Here Too': Representing Fandom and Local Celebrity in Pulp: A Film About Life, Death & Supermarkets"3. Sam Ford, "'I Was Stabbed 21 Times by Crazy Fans': Pro Wrestling and Popular Concerns with Immersive Story Worlds" 4. Interview with Roger Nygard, director of Trekkies (1997) Spotlight on: Crazy about One Direction5. Bethan Jones, "'I Will Throw You off Your Ship and You Will Drown and Die': Death Threats, Intra-Fandom Hate and the Performance of Fangirling"6. William Proctor, "A New Breed of Fan?: Regimes of Truth, One Directions Fans and Representations of Enfreakment"7. Daisy Asquith (director of Crazy About One Direction), "Crazy About One Direction: Whose Shame Is It Anyway?" Fictional Fans: Reading Between the Lines8. Interview with Robert Burnett, writer and director of Free Enterprise (1998)9. Lincoln Geraghty, "Fans on Primetime: Representations of Fandom in Mainstream American Network Television, 1986-2014"10. Karen Hellekson, "The Image of the Fan in Stargate SG-1"11. Melissa Click & Nettie Brock, "Marking the Line Between Producers and Fans: Representations of Fannish-ness in and around Doctor Who and Sherlock"12. Ellen Kirkpatrick, "Hero-Fans and Fanboy Auteurs: Reflections and Realities of Superhero Fans"13. Katherine Larsen and Lynn Zubernis, "We See You (Sort of): Representations of Fans on Supernatural"14. Interview with Emily Perkins, actor in SupernaturalSpotlight on: Fan and Transmedia Works 15. Kristina Busse, "Beyond Mary Sue: Fan Representation and the Complex Negotiation of Gendered Identity"16. Louisa Stein, "The Digital Literary Fangirl Network: Representing Fannishness in the Transmedia Web Series" 17. Interview with Luminosity, fan and vidderCultural Perspectives on Fan Representations18. Mel Stanfill, "The Fandom Menace: Representing Failed Heteronormativity, the Redemption Narrative, and Whiteness"19. Ruth A Deller, "Outdoor Queuing, Knicker-Throwing and 100th Birthday Greetings: Newspaper Narratives of Mature Female Fans" 20. Rukmini Pande, "Squee from the Margins: Racial/Cultural/Ethnic Identity in Global Media Fandom"21. Interview with Laurent Malaquais, director of Bronies (2012)Global Perspectives on Fandom22. Darlene Hampton, "Slashy Rotten Pervs: Transcultural Representation of Sherlock Slash Fans and the Politics of Pathologization"23. Lori Hitchcock Morimoto, "The Good Fandom: Depicting Japanese Female Fans in Moonlight Express, Moumantai, and Hong Kong Star Fans"24. Nicolle Lamerichs, "Otaku: Representations of Fandom in Japanese Popular Culture"25. Interview with Jeanie Finlay, director of Sound It Out (2011)ConclusionAfterword. Matt Hills, Participating in Hybrid Media Logics?
Recenzii
At a time when fans-as cosplayers, Comic Con attendees, consumers, practitioners as well as financiers of crowdfunding projects-are permeating the media and public consciousness, this collection arrives at a critical moment to examine how fans are being represented by various stakeholders, from the perspectives of aca-fans, media practitioners and fan producers themselves. This excellent collection will undoubtedly add to the richness and expansion of the field of fan studies.
The publication of this engaging collection, thirty years after Saturday Night Live aired a sketch with William Shatner telling the nerdy, obsessive Trekkies to 'get a life', could not be more timely. The chapters, a refreshing combination of critical analyses and interviews, explore representations of media fans in a range of genres and texts across cultures. The takeaway is that actors, content producers, fan scholars and fans themselves continue to grapple with negative stereotypes while refusing to be limited by them.
The publication of this engaging collection, thirty years after Saturday Night Live aired a sketch with William Shatner telling the nerdy, obsessive Trekkies to 'get a life', could not be more timely. The chapters, a refreshing combination of critical analyses and interviews, explore representations of media fans in a range of genres and texts across cultures. The takeaway is that actors, content producers, fan scholars and fans themselves continue to grapple with negative stereotypes while refusing to be limited by them.