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Reconstructing Performance Art de Tancredi Gusman

Reconstructing Performance Art: Routledge Advances in Theatre & Performance Studies

Editat de Tancredi Gusman
en Limba Engleză Paperback – 18 dec 2024
This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it.
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Specificații

ISBN-13: 9781032231358
ISBN-10: 1032231351
Pagini: 238
Dimensiuni: 230 x 152 x 17 mm
Greutate: 0.38 kg
Editura: Taylor & Francis Ltd.
Seria Routledge Advances in Theatre & Performance Studies

Cuprins

 
Acknowledgments
Contributor Bios
Disclaimer
Introduction: On the Present of Past Performance: Investigating the Practices of Reconstructing and Representing Performance Art
Tancredi Gusman

PART I: Reframing the Past: Histories and Historiographies of Performance Art
1. Mapping the Emerging Historiographies of Performance Art in East-Central Europe
Amy Bryzgel
2. The ’68 Aesthetic and Political Radicalization in the Argentinian Avant-Garde
Ana Longoni and Mariano Mestman
3. Collective Memory and Live Art: The Methodology of Performance Chronicle Basel
Sabine Gebhardt Fink
4. The Historical Roots of "Performative Theater": The Italian Post-Avant-Garde
Lorenzo Mango
PART II: Unfolding the Action: Media and Documents of Performance Art
5. How Records and Documents Become Art: The Role of Documentation in the Preservation, Exhibition and Experience of Performance Art
Gabriella Giannachi
6. Performance Documentation: Ephemerality, Temporality, Authenticity
Philip Auslander
7. Book as Archive of Performance Art and Source Material of Its History
Barbara Büscher
8. Listening to the Histories of Performance Art
Heike Roms
PART III: Representing Performance: Information, Collection, Reactivation
9. Capturing Narrative and Data in Performance Art: The Joan Jonas Knowledge Base
Barbara Clausen, Deena Engel and Glenn Wharton
10.On the Long Road to Becoming a Matter of Course: Collecting Live Performances in Museums and Other Art Collections
Wolfgang Brückle and Rachel Mader
11. Making Movement Memorable: Tino Sehgal and Boris Charmatz at Tate Modern
Susanne Franco
12. Retrospective Remarks on Rose English, Mona Hatoum and Ana Mendieta: Where Is Performance?
Georgina Guy and Johanna Linsley
Index
 

Notă biografică

Tancredi Gusman is Assistant Professor in Theater and Performance Studies at the Department of History, Humanities and Society, University of Rome Tor Vergata. From 2017 to 2019 he led the EU Horizon 2020 project "Between Evidence and Representation: History of Performance Art Documentation from 1970 to 1977" at the Freie Universität Berlin and was Marie Skłodowska-Curie Research Fellow at the International Research Center "Interweaving Performance Cultures." He is currently co-convenor of the Historiography Working Group of the International Federation for Theatre Research (IFTR). His research investigates the politics of representation and spectatorship, and the histories of performance art, performance documentation and theater criticism.