Recording Orchestra and Other Classical Music Ensembles: Audio Engineering Society Presents
Autor Richard Kingen Limba Engleză Paperback – 31 ian 2024
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Specificații
ISBN-13: 9781003319429
ISBN-10: 1003319424
Pagini: 320
Dimensiuni: 178 x 254 mm
Editura: Taylor & Francis Ltd.
Seria Audio Engineering Society Presents
ISBN-10: 1003319424
Pagini: 320
Dimensiuni: 178 x 254 mm
Editura: Taylor & Francis Ltd.
Seria Audio Engineering Society Presents
Cuprins
Acknowledgements
Preface
Part 1: Getting Started
Chapter 1 Introduction
Chapter 2 How to Listen: Loudspeakers, headphones, and listening environment
Chapter 3 Understanding Microphones
Part 2: Recording Orchestra
Chapter 4 The Orchestra and its various iterations
Chapter 5 The Hall, and how to deal with it
Chapter 6 Main microphone systems – How to record it
Chapter 7 – Recording Strings
Chapter 8 Recording Woodwinds, Brass and Percussion
Chapter 9 – Recording Harp, Piano, Celeste and Organ
Chapter 10 Recording Orchestra and Chorus
Part 3: Variations on a Theme
Chapter 11 Recording Concertos - balancing solo instruments with orchestra
Chapter 12 Recording Solo Voice and Orchestra
Part 4: The Recording Session
Chapter 13 The Role of the producer in classical music recording
Chapter 14 How to carry out a successful recording session
Chapter 15 Live Concerts, Live Opera and productions with Video
Part 5: Other Challenges in Classical Recording
Chapter 16 Recording Chamber Orchestra
Chapter 17 Recording String Quartet
Chapter 18 Recording piano with other instruments - violin, cello, voice, etc.
Chapter 19 Recording solo piano
Part 6: Post Production
Chapter 20 Editing
Chapter 21 Mixing
Chapter 22 Final assembly and Mastering
Part 7: Multi-channel Recording and Mixing
Chapter 23 Multi-channel recording: How to listen in surround
Chapter 24 How to record and mix for surround sound
Appendix A: Quick Start Guides, by ensemble
A.1 Orchestra Quick Start guide
A.2 Chorus Quick Start guide
A.3 Chamber Orchestra Quick Start guide
A.4 String Quartet Quick Start guide
A.5 Piano and Other Instruments Quick Start guide
A.6 Solo Piano Quick Start guide
Index
Preface
Part 1: Getting Started
Chapter 1 Introduction
Chapter 2 How to Listen: Loudspeakers, headphones, and listening environment
Chapter 3 Understanding Microphones
Part 2: Recording Orchestra
Chapter 4 The Orchestra and its various iterations
Chapter 5 The Hall, and how to deal with it
Chapter 6 Main microphone systems – How to record it
Chapter 7 – Recording Strings
Chapter 8 Recording Woodwinds, Brass and Percussion
Chapter 9 – Recording Harp, Piano, Celeste and Organ
Chapter 10 Recording Orchestra and Chorus
Part 3: Variations on a Theme
Chapter 11 Recording Concertos - balancing solo instruments with orchestra
Chapter 12 Recording Solo Voice and Orchestra
Part 4: The Recording Session
Chapter 13 The Role of the producer in classical music recording
Chapter 14 How to carry out a successful recording session
Chapter 15 Live Concerts, Live Opera and productions with Video
Part 5: Other Challenges in Classical Recording
Chapter 16 Recording Chamber Orchestra
Chapter 17 Recording String Quartet
Chapter 18 Recording piano with other instruments - violin, cello, voice, etc.
Chapter 19 Recording solo piano
Part 6: Post Production
Chapter 20 Editing
Chapter 21 Mixing
Chapter 22 Final assembly and Mastering
Part 7: Multi-channel Recording and Mixing
Chapter 23 Multi-channel recording: How to listen in surround
Chapter 24 How to record and mix for surround sound
Appendix A: Quick Start Guides, by ensemble
A.1 Orchestra Quick Start guide
A.2 Chorus Quick Start guide
A.3 Chamber Orchestra Quick Start guide
A.4 String Quartet Quick Start guide
A.5 Piano and Other Instruments Quick Start guide
A.6 Solo Piano Quick Start guide
Index
Notă biografică
Richard King is a multi-Grammy Award winner who specializes in recording classical, jazz and film score music. He is Associate Professor at the Schulich School of Music of McGill University in Montréal, where he teaches in the Sound Recording area. A long-standing member and Fellow of the Audio Engineering Society, Richard is a regular convention presenter and panelist, and he is frequently invited to speak at various university-level recording programs around the world.
Recenzii
“King’s Recording Orchestra is nothing short of indispensable for anyone interested in the art of ensemble recording (…) it’s probably the finest book on recording technique I’ve read in a decade.”
Mike Senior, Sound On Sound Magazine on the 1st Edition
Mike Senior, Sound On Sound Magazine on the 1st Edition