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Religion in Hip Hop: Mapping the New Terrain in the US de Monica R. Miller

Religion in Hip Hop: Mapping the New Terrain in the US: Bloomsbury Studies in Religion and Popular Music

Editat de Monica R. Miller, Anthony B. Pinn, Bernard 'Bun B' Freeman
en Limba Engleză Paperback – 17 iun 2015
Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics.
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Specificații

ISBN-13: 9781472509079
ISBN-10: 1472509072
Pagini: 296
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Religion and Popular Music

Locul publicării:London, United Kingdom

Caracteristici

First book to provide framework to understand hip hop within an academic context

Notă biografică

Monica R. Miller is Assistant Professor of Religion & Africana Studies, Director of Women, Gender, and Sexuality Studies at Lehigh University, USA. Anthony B. Pinn is Agnes Cullen Arnold Professor of Humanities, Professor of Religious Studies, and Director of the Center for Engaged Research and Collaborative Learning (CERCL) at Rice University, USA.Bernard "Bun B" Freeman is an American rapper, songwriter and CERCL Distinguished Visiting Lecturer at Rice University, USA.

Cuprins

Preface: Turning Nothing Into Something is God Work': Holiness and Hurt in the Hood, Michael Eric Dyson (University of Georgetown, USA)Introduction: Context and Other Considerations, Anthony B. Pinn (Rice University, USA) & Monica R. Miller (Lehigh University, USA) Part 1: Hip Hop on Religion as/for the Embodied Self 1. Searching for Self: Religion and the Creative Quest for Self in the Art of Erykah Badu, Margarita Simon-Guillory (University of Rochester, USA)2. Methods for the Prophetic: Tupac Shakur, Lauryn Hill, and the Case for Ethnolifehistory, Daniel White-Hodge (North Park University, USA)3. Existentialist Transvaluation and Hip-Hop's Syncretic Religiosity, Julius D. Bailey (Wittenberg University, USA)4. God Complex, Complex gods, or God's Complex? Jay Z, Poor Black Youth, and Making 'The Struggle' Divine, Michael Eric Dyson (Georgetown University, USA)Part 2: Hip Hop on Religion and the 'Other' 5. A PARTICULAR PAC: Ontological Ruptures and the Posthumous Presence of Tupac Shakur, James Braxton Peterson (Lehigh University, USA)6. *iRoamThruZones* Follow Me! #NOWTHATSRELIGIONANDHIPHOP: Mapping the Terrain of Religion and Hip Hop in Cyberspace, Elonda Clay, Archivist and Digital Librarian (Philander Smith College, USA) & Ph.D. Candidate (VU University, The Netherlands) 7. Mapping Space and Place in the Analysis of Hip Hop and Religion: Houston As An Example, Maco L. Faniel, author of Hip Hop in Houston: The Origin and the Legacy (Houston, Texas, USA) 8. Imperial Whiteness Meets Hip-Hop Blackness: A Spiritual Phenomenology of the Hegemonic Body in 21st Century USA, James W. Perkinson (Ecumenical Theological Seminary, USA)9. Bun B on Religion and Hip Hop, Bernard "Bun B" Freeman (Rice University, USA)Part 3: Approaches to Religion in Hip Hop on the Margins10. Hip Hop and Humanism: Thinking Against New (and Old) Fundamentalisms, Greg Dimitriadis (University at Buffalo, SUNY, USA,)11. Conspiracy is the Sincerest Form of Flattery: Hip-Hop, Aesthetics, and Suspicious Spiritualities, John L. Jackson, Jr. (University of Pennsylvania, USA)12. Constructing Constellations: Frankfurt School, Lupe Fiasco, and the Promise of Weak Redemption, Joseph Winters (UNC Charlotte, USA)13. Zombies in the 'Hood: Rap Music, Camusian Absurdity, and the Structuring of Death, Anthony B. Pinn (Rice University, USA)14. Real Recognize Real: Aporetic Flows and the Presence of New Black Godz in Hip Hop, Monica R. Miller (Lehigh University, USA)Concluding Thoughts: The Future of the Study of Religion in/and Hip Hop, Monica R. Miller (Lehigh University, USA) & Anthony B. Pinn (Rice University, USA)Afterword: An Insider Perspective, Bernard 'Bun B' Freeman (Rice University, USA)

Recenzii

A great series of essays destined to advance and expand the field of hip-hop and religion. This collection belongs on the shelves of hip-hop heads and religious scholars alike.
Religion in Hip-Hop is an effort of immense freshness and allure, penned in bold, challenging prose. This book will excite those readers who are intrigued by what resides at the center and prowls at the edges of an important field of study. This book is highly recommended.
Will interest scholars of music and popular religion both within and well beyond 'religion and hip hop' courses.
Religion and Hip Hop productively exemplifies another long-standing concern of popular music studies: collaborations between academics and musicians.
Reading these essays reminded me of the pleasure of reading the provocative labels in wine stores: you feel language stretching beyond itself to coax and caress, to capture what it can of the elusive substance that you want more than anything to taste. How wonderful that academic discourse can seduce us into the complexity of music and the broad vision of hip hop, a wine that rewards bold thinking.
The field of Hip Hop Studies is ever growing, especially in the area of religion. What Miller and Pinn do in Religion and Hip Hop: Mapping the New Terrain in the US, is to offer a valuable contribution to both scholars and practitioners in the field. This volume provides us with with a much needed understanding of how religion functions within hip hop. A must for any Hip Hop and Religion course!
Miller and Pinn's collaborative contribution points the burgeoning study of hip hop and religion toward a bold and new trajectory of methodological innovation, theoretical sophistication, and thematic clarity. The groundbreaking implications of this work will take many years to unfold.
Hip Hop is being dissected daily. With Religion in Hip Hop: Mapping the New Terrain in the US I am proud to see it being intelligently examined by one who has risen from its underground.
Hip Hop has always been and will always be a conversation with the community it came from, and spirituality is at the center of this conversation. From rappers who call themselves God due to the Five Percenters' influence to those who wear Jesus chains, the eternal questions that religion and spirituality have tried to answer have always been asked by the Hip Hop community. Religion in Hip Hop: Mapping The New Terrain in the US highlights and examines the language of religion in hip hop that can easily be missed.
In spite of its ubiquity, Hop Hop remains a misunderstood dimension of contemporary culture. No more son than in relation to religion, where its connections are rich, layered, and compelling. Religion in Hip Hop: Mapping the New Terrain in the US addresses this situation through careful research, smart and compelling conceptual work, and thorough historical and cultural analysis. Scholarly and lay discourses about religion and media will be richer for its efforts.
Religion in Hip Hop: Mapping the New Terrain in the US showcases a new approach to the burgeoning discourse on hip-hop and religion in the academy . In short, all of the writers in this volume have stretched themselves to give insight into the academic study of hip-hop in religion, opening up several streams of discourse for the reader to build on as they take it upon themselves to continue this new tradition of critical approaches to one of the most influential and infectious subgenres of the past century.