Representation and Black Womanhood: The Legacy of Sarah Baartman
Editat de N. Gordon-Chipembereen Limba Engleză Hardback – 3 aug 2011
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 324.45 lei 39-44 zile | |
Palgrave Macmillan US – 3 aug 2011 | 324.45 lei 39-44 zile | |
Palgrave Macmillan US – 3 aug 2011 | 407.96 lei 6-8 săpt. | |
Hardback (1) | 379.96 lei 6-8 săpt. | |
Palgrave Macmillan US – 3 aug 2011 | 379.96 lei 6-8 săpt. |
Preț: 379.96 lei
Nou
Puncte Express: 570
Preț estimativ în valută:
72.83€ • 76.44$ • 60.07£
72.83€ • 76.44$ • 60.07£
Carte tipărită la comandă
Livrare economică 23 ianuarie-06 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780230117792
ISBN-10: 0230117791
Pagini: 207
Ilustrații: XII, 207 p.
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.41 kg
Ediția:2011
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
ISBN-10: 0230117791
Pagini: 207
Ilustrații: XII, 207 p.
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.41 kg
Ediția:2011
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
Cuprins
Claiming Sarah Baartman: a Legacy to Grasp Natasha Gordon-Chipembere * PART I: The Archive: Disrupting the Colonial Narrative * 'Body' of Evidence: Saartjie Baartmann and the Archive Siphiwe Gloria Ndlovu * 'My Tongue Softens on the other name': Poetry and People in Sarah Baartmann's Natural World Yvette Abrahams/ Khib Omsis * Coercive Performances: Sarah Baartman and Slaves for Auction Hershini Bhana Young * Baartman and the Private Gabeba Baderoon * Placing and (Re) placing the 'Venus Hottentot': An Archeology of Pornography, Race and Power * Sheila Smith Mckoy * PART II: Troubling the 'Truth': Corporeal Representations * Sara Baartman, Biography and the Modalities of Truth Desiree Lewis * "I Wanna Love Something Wild"-A Reading of Suzan-Lori Parks's Venus Ilaria Oddenino * "Just ask the scientists": Troubling the 'Hottentot' and Scientific Racism in Bessie Head's Maru and Ama Ata Aidoo's Our Sister Killjoy Z'étoile Imma * Staging the body of the (M) other:the "Hottentot Venus" and the "Wild Dancing Bushman" Karlien van der Schyff * Under Cuvier's Microscope: the Dissection of Michelle Obama in the twenty-first Century Natasha Gordon-Chipembere
Recenzii
"Apart from examining archives on Sarah Baartman, the book functions as an archive itself. The inclusion of poetry, song, visual art, and building projects lend a depth to the articles by solidifying the idea of Sarah Baartman as being more than a subject of scholarly research. This book is important in that it affords the opportunity to look back, not only at Sarah Baartman, but at social and political traditions that characterise human behaviour, the discourses employed to make sense of it, and aspects of our various pasts that were found wanting, and in this way, chart the path forward to new discourses and understandings. The text is as much about a figure long departed as it is about those that are currently living." - Nwabisa Bangeni, Lecturer, Department of English, Stellenbosch University, South Africa
"Representation and Black Womanhood: The Legacy of Sarah Baartman is a provocative and timely collection of essays on Sarah Baartman. At the same time, this is a collection that has much to say about enduring discourses on Black women that find circulation today. Gordon-Chipembere and her contributors engage and expand the registers used to speak about Black women’s bodies and subjectivities across epochs. It is a conversation on the discourses on Black women by scholars from across the globe, connecting areas of Black feminist scholarship that often speak past each other rather than in exchange." - Pumla Dineo Gqola, PhD, author of What is slavery to me?: Postcolonial/Slave Memory in Post-apartheid South Africa
"Representation and Black Womanhood: The Legacy of Sarah Baartman is a provocative and timely collection of essays on Sarah Baartman. At the same time, this is a collection that has much to say about enduring discourses on Black women that find circulation today. Gordon-Chipembere and her contributors engage and expand the registers used to speak about Black women’s bodies and subjectivities across epochs. It is a conversation on the discourses on Black women by scholars from across the globe, connecting areas of Black feminist scholarship that often speak past each other rather than in exchange." - Pumla Dineo Gqola, PhD, author of What is slavery to me?: Postcolonial/Slave Memory in Post-apartheid South Africa
Notă biografică
Natasha Gordon-Chipembere is an Assistant Professor in the English Department at Medgar Evers College, City University of New York.
Textul de pe ultima copertă
Sarah Baartman’s iconic status as the "Hottentot Venus" - as "victimized" African woman, "Mother" of the new South Africa, and ancestral spirit to countless women of the African Diaspora - has led to countless essays, biographies, films, interviews, art installations, and research centers, comprising a virtual archive that seeks to find some meaning in her persona. Yet even those with the best intentions, fighting to give her agency, a voice, a personhood, continue to reinforce the outmoded European narrative of her life without asking "What if we looked at Baartman through another lens?" This collection, the first of its kind, offers a space in which international scholars, cultural activists, and visual artists examine the legacy of Baartman’s life anew. It disrupts iconic, pop-culture narratives to seek an alternative Africanist rendering of a person whose life has left a profound impact on the ways in which Black women are displayed and represented the world over.
Caracteristici
As the "Hottentot Venus," Baartman remains a perpetual object of fascination for scholars examining race and colonialism GordonChipembere has brought together historians, gender theorists, literary scholars, anthropologists, artists, and others to explore Baartman's legacy The book offers important insights into changes in the discursive practices of the academy, and the varied interpretive lenses that reflect contemporary identity politics
Descriere
Descriere de la o altă ediție sau format:
Sarah Baartman's iconic status as the "Hottentot Venus" - as "victimized" African woman, "Mother" of the new South Africa, and ancestral spirit to countless women of the African Diaspora - has led to an outpouring of essays, biographies, films, interviews, art installations, and centers, comprising a virtual archive that seeks to find some meaning in her persona. Yet even those with the best intentions, fighting to give Baartman agency, a voice, a personhood, continue to service the general narratives of European documentation of her life without asking "What if we looked at Baartman through another lens?" This collection is the first of its kind to offer a space for international scholars, cultural activists, and visual artists to examine the legacy of Baartman's life anew, specifically finding an alternative Africanist rendering of a person whose life has left a profound impact on the ways in which Black women are displayed and represented the world over.
Sarah Baartman's iconic status as the "Hottentot Venus" - as "victimized" African woman, "Mother" of the new South Africa, and ancestral spirit to countless women of the African Diaspora - has led to an outpouring of essays, biographies, films, interviews, art installations, and centers, comprising a virtual archive that seeks to find some meaning in her persona. Yet even those with the best intentions, fighting to give Baartman agency, a voice, a personhood, continue to service the general narratives of European documentation of her life without asking "What if we looked at Baartman through another lens?" This collection is the first of its kind to offer a space for international scholars, cultural activists, and visual artists to examine the legacy of Baartman's life anew, specifically finding an alternative Africanist rendering of a person whose life has left a profound impact on the ways in which Black women are displayed and represented the world over.