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Representation and Identity from Versailles to the Present: The Performing Subject de A. Sikes

Representation and Identity from Versailles to the Present: The Performing Subject: Palgrave Studies in Theatre and Performance History

Autor A. Sikes
en Limba Engleză Hardback – 25 sep 2007
Sikes traces the shifting role of performance in the fashioning of subjectivity from the Modern to the Postmodern eras. The book joins history and historiography and is grounded in a body of research about varied performance subjects from court dance, ballet, opera, festivals, celebrations, propaganda films, Hollywood movies to reality TV.
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Specificații

ISBN-13: 9781403977847
ISBN-10: 1403977844
Pagini: 228
Ilustrații: XII, 214 p.
Dimensiuni: 140 x 216 x 15 mm
Greutate: 0.36 kg
Ediția:2007
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Palgrave Studies in Theatre and Performance History

Locul publicării:New York, United States

Cuprins

Identity and Representation in the Modern and Postmodern Eras The Performance of Privilege in the Reign of Louis XIV The Rise and Fall of the Castrato Singer Citizen Action and the Libratory Legacy of the French Revolution The Hysterical Woman From Zola to Freud Benjamin, Adorno, and the Politics of Mediatization Performativity and the Horizon of Hegemony

Recenzii

"At the time when the prefix 'post ' begins to lose its singularity and radical sharpness, Sikes's study reminds us that we have much to gain by exploring the tension between past and present imaginations. His critical imaginary travels through an insightful analysis of the relationship between social status and performance (conduct manuals from the time of Louis XIV), instability within sexual hierarchies of the Baroque culture, post-revolutionary freedom and new modes of political participation (1789), the culture of visuality in the nineteenth century (Zola and Freud), mediated images (The Truman Show), and same-sex marriage (2007, USA). What is significant in the study of these historical fragments is Sikes's commitment to exploring performative articulations and re-articulations, which view the horizon of the intelligible not as limit of a historiographic project, but as a dynamic site where the radical performative possibilities can exist. By so doing, this study may effect how we write about theatre/performance history." - Michal Kobialka, Professor of Theatre, University of Minnesota

Notă biografică

ALAN SIKES is Assistant Professor of Theatre at Hunter College at the City University of New York, USA.