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Representations of Islam in United States Comics, 1880-1922

Autor Maryanne A. Rhett
en Limba Engleză Paperback – 25 aug 2021
Representations of Islam in United States Comics, 1880-1922 examines the depiction of Islam, Muslims, and the Islamic world in U.S. popular culture, particularly comics and related artifacts, between 1880 and 1922. Through cartoons, comics, editorial cartoons, serialized advertisements and other materials the book unfolds a narrative about how the Islamic world and its people were understood by the American government and its people. This "knowledge," garnered from popular culture of the day, produced a lens through which domestic and international relationships were created and maintained. Representing a wide swath of U.S. popular culture and discourse, the reflections these artifacts offer are united in their depiction of the "Oriental" in an era that is largely assumed to have been marked by American un-interest in the region, peoples and religion. An exciting contribution to a growing field, this book resituates the U.S. within the Islamic world, using the everyday medium of comics to provide a fresh perspective on the subject.
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Specificații

ISBN-13: 9781350196278
ISBN-10: 1350196274
Pagini: 256
Ilustrații: 26 bw illus
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Draws the narrative of American history away from its "exceptional" footing and places it firmly within global and world history

Notă biografică

Maryanne A. Rhett is Associate Professor of Middle Eastern and World History at Monmouth University, USA. She is the author of A Global History of the Balfour Declaration (2015).

Cuprins

Introduction and Definitions1. "What Muslims?" 2. "Our Muhammedan Wards, the Philippine Problem"3. "The Harem and the Bath"4. "The Bloody Turk"5. "Holy War and the Yellow Peril"6. "Timeless, Child-Like, and Drugged Up"7. "Echoes of the Past"NotesBibliographyIndex

Recenzii

Maryanne Rhett provides evidence for the claim that comics matter - that they tell us something about society and the collective meanings we have made of the world around us, both as far back as the late 19th and early 20th century platinum age of comics and - by implication -- today. She uncovers political cartoons and comics strips that are otherwise buried, fluently reads them as art and text, and inserts them into a discourse informed by Edward Said and Yvonne Haddad. Critically, this work extends our understanding of Islam in the United States, and American visions of Islam, to an era often ignored by other scholars.