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Representations of Policing in Northern Irish Theatre: 1921 – 2021: New Directions in Irish and Irish American Literature

Autor T. W. Saunders
en Limba Engleză Hardback – apr 2023
This monograph provides the first sustained, chronological account of Northern Irish police officers’ representation in theatre. Importantly, its scope comprises a critical period of national and organisational development, beginning with the Partition of Ireland in 1921 and the founding of the Royal Ulster Constabulary (RUC) one year later in 1922. It progresses through the relevant theatrical and historical events of the century, through the period after the RUC’s dissolution and replacement with the Police Service of Northern Ireland (PSNI) in 2001, and concludes in 2021 to coincide with the centenary of Partition. As such, this project is distinctive in its ability to trace paradigm shifts in perceptions of the police over time, as they intersect with relevant historical events and milestones of political conflict in the province.
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Specificații

ISBN-13: 9783031246203
ISBN-10: 3031246209
Pagini: 290
Ilustrații: XI, 290 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.51 kg
Ediția:2023
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria New Directions in Irish and Irish American Literature

Locul publicării:Cham, Switzerland

Cuprins

1.Introduction.- 2.1921–1950.- 3.950–1969.- 4.1969–1980.- 5.1980–1990.- 6.1990–2001.- 7. 2001–2021.- 8. Conclusion.


Notă biografică

T. W. Saunders received his PhD from the Queen’s University of Belfast, Northern Ireland, in 2018. He then travelled extensively—to locations including Cyprus, Spain, Chile, Canada, Gibraltar, and the Falkland Islands—while adapting his dissertation into a scholarly monograph and working on various other adjacent projects. He lives in Colorado.

Textul de pe ultima copertă

This monograph provides the first sustained, chronological account of Northern Irish police officers’ representation in theatre. Importantly, its scope comprises a critical period of national and organisational development, beginning with the Partition of Ireland in 1921 and the founding of the Royal Ulster Constabulary (RUC) one year later in 1922. It progresses through the relevant theatrical and historical events of the century, through the period after the RUC’s dissolution and replacement with the Police Service of Northern Ireland (PSNI) in 2001, and concludes in 2021 to coincide with the centenary of Partition. As such, this project is distinctive in its ability to trace paradigm shifts in perceptions of the police over time, as they intersect with relevant historical events and milestones of political conflict in the province.
T. W. Saunders received his PhD from the Queen’s University of Belfast, Northern Ireland, in 2018. He then travelled extensively—to locations including Cyprus, Spain, Chile, Canada, Gibraltar, and the Falkland Islands—while adapting his dissertation into a scholarly monograph and working on various other adjacent projects. He lives in Colorado.

Caracteristici

First sustained evaluation of how police officers are represented in Northern Irish theatre Evaluates questions of police legitimacy and representations of police characters in relation to political conflict Considers the performativity of policing and how policing is represented on stage over the course of a century