Rethinking Fashion Globalization
Editat de Sarah Cheang, Dr. Erica de Greef, Dr. Yoko Takagien Limba Engleză Hardback – 11 aug 2021
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Specificații
ISBN-13: 9781350180055
ISBN-10: 135018005X
Pagini: 296
Ilustrații: 91 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.78 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 135018005X
Pagini: 296
Ilustrații: 91 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.78 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Each
of
the
three
sections
is
placed
in
context
with
detailed
introductions
by
the
editors,
and
the
collection
as
a
whole
is
introduced
in
a
foreword
by
Angela
Jansen,
Chair
of
the
Research
Collective
for
Decolonizing
Fashion.
Notă biografică
Sarah Cheang is Acting Head of the History of Design programme at the Royal College of Art, UK. Her research interests centre on transnational fashion, material culture and the body and she is the co-editor of Hair: Styling, Culture and Fashion (Berg, 2008).
Erica de Greef is Director and Co-Founder of the African Fashion Research Institute. She leads the Decolonial Fashion hub in Africa for the Research Collective for Decolonising Fashion, and has published in numerous journals and edited collections. She has also lectured widely in the field of fashion curation and fashion pedagogy in South Africa. Yoko Takagi is Professor and Programme Director of MA Global Fashion Concentration at Bunka Gakuen University, Tokyo. Focusing on transboundary aspects of fashion and textile from the end of the 19th century to present day, she has contributed to publications and exhibition curation. She hosts the Transboundary Fashion Seminar.Cuprins
Foreword
-
Angela
Jansen
(Chair
of
the
Research
Collective
for
Decolonizing
Fashion)1.
Introduction:
Decolonial
Critiques
of
Fashion
Globalization
and
De-Globalization
(co-authored
by
the
editors)Section
I:
Disruptions
in
Time
and
SpaceIntroduction
-
Sarah
Cheang
(Royal
College
of
Art,
UK)2.
Kimono
Migrating
Across
Borders:
A
Preliminary
Study
into
the
Discovery
of
Waso
Culture
Outside
of
Japan
-
Yoko
Takagi
(Bunka
Gakuen
University,
Japan)
&
Saskia
Thoelen
(Bunka
Gakuen
University,
Japan)3.
East
Asian
Global
Connections
and
Fashion
Histories
-
Sarah
Cheang
(Royal
College
of
Art,
UK)
and
Elizabeth
Kramer
(University
of
Northumbria,
UK)4.
Surinamese
Kotomisi:
Multiple
Identities
of
Fashion
-
Daan
van
Dartel
(National
Museum
of
World
Cultures,
the
Netherlands)5.
Coats
and
Trousers:
Redrawing
the
Map
to
Rescript
the
Narrative
-
Abby
Lillethun
(Montclair
State
University,
USA)
and
Linda
Welters
(University
of
Rhode
Island,
USA)Section
II:
Nationalism
and
TransnationalismIntroduction
-
Erica
de
Greef
(independent
fashion
curator,
Cape
Town,
South
Africa)6.
#OWNYOURCULTURE
-
Decolonising
Fashion
Through
Traditional
Jewelry
-
Chepkemboi
J
Mang'ira
(OwnYourCulture,
Nairobi)7.
Kawaii
Fashion
Discourse
in
the
21st
Century:
Transnationalising
Actors
-
Kyoko
Koma
(Meiji
University,
Japan)8.
Melancholia
at
the
Margins:
Place
and
History
in
the
Fashion
of
Aotearoa
New
Zealand
-
Harriette
Richards
(Western
Sydney
University,
Australia)9.
Negotiating
Identities:
The
Fashion
of
Nyonyas
in
Early
Twentieth
Century
Singapore
-
Courtney
R.
Fu
(National
University
of
Singapore)Section
III:
Global
Design
PracticesIntroduction
-
Yoko
Takagi
(Bunka
Gakuen
University,
Japan)10.
Creative
Collaborations
between
Consumers
and
Fashion
Designers:
The
Role
of
Fashion
Posters
in
Urban
and
Rural
Ghana.
Malika
Kraamer
(University
of
Leicester,
UK)
&
Osuanyi
Quaicoo
Essel
(University
of
Education
Winneba,
Ghana11.
State
of
Fashion:
Searching
for
the
New
Luxury.
Imagination,
Sustainability,
Embodied
Practice,
Craft
Revival,
New
Narratives
-
Jose
Teunissen
(University
of
the
Arts
London,
UK)12.
Making
the
Ordinary
Fashionable:
New
Sartorial
Languages
from
Russia
and
China
-
Hazel
Clark
(Parsons
School
of
Design,
USA)
and
Alla
Eizenberg
(Parsons
School
of
Design,
USA)13.
Body
Mapping:
Cross
Cultural
Influences
in
the
Studio
-
Jenny
Hughes
(University
of
the
Creative
Arts
Rochester,
UK)
Recenzii
This
timely,
vital
book
showcases
the
plurality
of
fashion
systems,
cultures
and
industries,
across
time
and
space.
Leads the way in responding to the current surge of transdisciplinary interest across universities all over the world in key issues of decolonization, post-colonialism, national identity, social activism, global fashion narratives and diverse voices. Chapters are brimming with fresh, in-depth and meticulous research examining these issues through the vehicle of clothing, dress, fashion, textiles, and their media presence. The book's many images enable the reader to make full sense of the texts.
Leads the way in responding to the current surge of transdisciplinary interest across universities all over the world in key issues of decolonization, post-colonialism, national identity, social activism, global fashion narratives and diverse voices. Chapters are brimming with fresh, in-depth and meticulous research examining these issues through the vehicle of clothing, dress, fashion, textiles, and their media presence. The book's many images enable the reader to make full sense of the texts.