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Rethinking Theatrical Documents in Shakespeare’s England de Dr Tiffany Stern

Rethinking Theatrical Documents in Shakespeare’s England

Editat de Dr Tiffany Stern
en Limba Engleză Hardback – 13 noi 2019
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) - though 'before', 'during' and 'after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.
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Specificații

ISBN-13: 9781350051348
ISBN-10: 1350051349
Pagini: 304
Ilustrații: 11 bw illus
Dimensiuni: 129 x 198 mm
Greutate: 0.39 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom

Caracteristici

Surveys, expands, questions and theorises existing knowledge of theatre documents before, during and after performance

Notă biografică

Tiffany Stern is Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham, UK. She is the author of Rehearsal from Shakespeare to Sheridan, Making Shakespeare, Shakespeare in Parts (with Simon Palfrey) and Documents of Performance in Early Modern England. She has co-edited a collection of essays with Farah Karim-Cooper, Shakespeare's Theatres and the Effects of Performance, and has edited King Leir, Sheridan's The Rivals, Farquhar's Recruiting Officer, and Brome's Jovial Crew. She is general editor of New Mermaids and the Arden Fourth series.

Cuprins

List of IllustrationsAcknowledgementsNote on the TextNotes on ContributorsIntroductionPart One: Documents Before Performance1 Writing a Play with Robert Daborne: Lucy Munro (King's College, London, UK)2 A Sharers' Repertory: Holger Syme (University of Toronto, Canada)3 Parts and the Playscript: Seven Questions: James J. Marino (Cleveland State University, USA)4 Undocumented: Improvisation, Rehearsal and the Clown: Richard Preiss (University of Utah, USA)Part Two: Documents of Performance5 'Rethinking Prologues on Page and Stage': Sonia Massai (King's College, London) and Heidi Craig (The Folger Shakespeare Library, USA)6 Title-and Scene-Boards: The Largest, Shortest Documents: Matt Steggle (Sheffield Hallam University, UK)7 'What is a staged book? Books as 'Actors' in the Early Modern English Theatre' (Sarah Wall-Randell, Wellesley College, USA)Part Three: Documents After Performance8 Flowers for English Speaking: Play Extracts and Conversation: András Kiséry (The City College of New York, USA) 9 Shakespearean Extracts and the Misrepresentation of the Archive: Laura Estill (Texas A and M University, USA)10 Typography After Performance: Claire M. L. Bourne (Pennsylvania State University, USA)11 Shakespeare the Balladmonger: Tiffany Stern (Shakespeare Institute, University of Birmingham, UK)Part Four: Documents Beyond Performance12 Lost Documents, Absent Documents, Forged Documents: Roslyn Knutson (University of Arkansas, USA) and David McInnis (University of Melbourne, Australia)13 Afterward: Peter Holland (Notre Dame University, USA)NotesBibliographyIndex

Recenzii

An invaluable contribution of Rethinking Theatrical Documents is its expansion of both what constitutes the stuff of plays and how such play stuffs were manipulated.