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Roger Ballen: Call of the Void

Editat de Museum Tinguely Autor Roger Ballen Text de Andres Pardey
en Limba Engleză Hardback – 7 sep 2023
Roger Ballen - Call of the Void is the eighth in a series of exhibitions at Museum Tinguely under the title Danse macabre with works responding to Jean Tinguely's late work Mengele - Dance of Death, shown in direct proximity to it. In his work, Ballen examines the human psyche and asks both himself and the viewer questions about being and becoming. Ballen writes: My show that I have chosen to title Call of the Void is an attempt to come to terms with what I believe to be the most central questions in human existence namely, where did we come from? What are we here for? And where do we go once we die? Whilst I do not claim to provide answers or even questions to these most profound and difficult issues, it is my hope that my exhibition will challenge the viewer's perceptions and consequently set up a process of self-examination leading to a more inquisitive state of self-consciousness.Å. The exhibition consists of two parts that define and enrich one another. The walls are hung with photographs from Ballen's last analogue series, while the centre of the space is dominated by a shack, a poor dwelling for people on the margins of society of the kind often featured in Ballen's work.
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Specificații

ISBN-13: 9783969001271
ISBN-10: 3969001277
Pagini: 80
Ilustrații: 36
Dimensiuni: 233 x 275 x 13 mm
Greutate: 0.59 kg
Editura: Kehrer Verlag
Colecția Kehrer Verlag
Locul publicării:Germany

Notă biografică

One of the most influential and important photographic artists of the 21st century, Roger Ballen¿s photographs span over forty years. His strange and extreme works confront the viewer and challenge them to come with him on a journey into their own minds as he explores the deeper recesses of his own.

Born in New York City in 1950, Roger Ballen has lived in South Africa for thirty years, and is one of the most famous photographers of his generation. Son of the Editor-in-Chief at Magnum Photo, Ballen was thirteen when photography caught his attention. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small South African towns. At first, he explored the empty streets in the glare of the midday sun but, once he had made the step of knocking on people¿s doors, he discovered a world inside these houses, which was to have a profound effect on his work.