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Romantic Image de Frank Kermode

Romantic Image

Autor Frank Kermode
en Limba Engleză Paperback – 12 oct 2001
For the past four decades Frank Kermode, critic and writer, has steadily established himself as one of the most brilliant minds of his generation. Questioning the public's harsh perception of 'the artist', Kermode at the same time gently pokes fun at artists' own, often inflated, self-image. He identifies what has become one of the defining characteristics of the Romantic tradition - the artist in isolation and the emerging power of the imagination. Back in print after an absence of over a decade, The Romantic Image is quintessential Kermode. Enlightenment has seldom been so enjoyable!
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  Taylor & Francis – 12 oct 2001 10052 lei  3-5 săpt. +945 lei  10-14 zile
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Specificații

ISBN-13: 9780415261876
ISBN-10: 0415261872
Pagini: 224
Dimensiuni: 129 x 198 x 18 mm
Greutate: 0.25 kg
Ediția:Revizuită
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

General, Postgraduate, and Undergraduate

Cuprins

Preface -- A Note on the Frontispiece -- Part I Dancer and -- The Artist in Isolation 3 -- ‘In Memory of Major Robert Gregory’ 37 -- The Image 52 -- The Dancer 59 -- The Tree111 -- Part II The Twentieth -- Arthur Symons 127 -- T. E. Hulme141 -- ‘Dissociation of Sensibility’ 164 -- Conclusion192 -- Epilogue -- Index

Notă biografică

Frank Kermode (1919- ) One of the most distinguished critics of our time. He has taught at numerous universities including Cambridge and Harvard. Kermode was knighted in 1991.

Recenzii

'In this extremely important book of speculative and scholarly criticism, Mr Kermode is setting out to re-define the notion of the Romantic tradition, especially in relation to English poetry and criticism.' - Times Literary Supplement
'Kermode's effortless learning, lucid intelligence and wry, self-deprecating style prove that, at its best, literary criticism itself is a lively art.' - Al Alvarez

Descriere

This classic work, back in print for the first time in over a decade, questions the public's harsh perception of the artist, while at the same time gently poking fun at the artists' own, often inflated self-image.