Rosencrantz and Guildenstern Are Dead
Autor Tom Stopparden Limba Engleză Paperback – 2 feb 2017
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|---|---|---|
| Paperback (4) | 42.81 lei 17-23 zile | +3.97 lei 5-11 zile |
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| FABER AND FABER LTD – iul 1968 | 68.38 lei 22-36 zile | +4.56 lei 5-11 zile |
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| Grove/Atlantic, Inc. – 13 mar 2017 | 80.68 lei 22-36 zile |
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Specificații
ISBN-13: 9780571333721
ISBN-10: 0571333729
Pagini: 128
Dimensiuni: 126 x 198 x 15 mm
Greutate: 0.13 kg
Ediția:Main - Faber Modern Classics
Editura: FABER & FABER
ISBN-10: 0571333729
Pagini: 128
Dimensiuni: 126 x 198 x 15 mm
Greutate: 0.13 kg
Ediția:Main - Faber Modern Classics
Editura: FABER & FABER
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Recenzii
Praise for Rosencrantz and Guildenstern Are Dead:
“Very funny. Very brilliant. Very chilling. It has the dust of thought about it and the particles glitter excitingly in the theatrical air . . . This is a most remarkable and thrilling play. In one bound Mr. Stoppard is asking to be considered as among the finest English-speaking writers of our stage, for this is a work of fascinating distinction.”—Clive Barnes, New York Times
“A masterpiece, not unlike Shakespeare’s plays; it’s artfully, imaginatively written, multidimensional, and hilarious.”—New Yorker
“A coruscatingly brilliant, endlessly thought-provoking masterpiece.”—Wall Street Journal
“In making Rosencrantz and Guildenstern . . . Stoppard mixed the poetic melodrama of Shakespeare with the doom-laden minimalism of Samuel Beckett and topped it with the slapstick of the Marx Brothers.”—Rolling Stone
“A tour de force . . . Fascinating . . . A triumph.”—Roger Ebert
“Astonishing — a youthful prank bursting with theatrical mischief and literary flair.”—Washington Post
“Rosencrantz and Guildenstern are Dead . . . has proved its sturdiness and power to endure . . . It is, after all, the most performed, most studied, most earnestly analyzed and strenuously anatomized of all Mr. Stoppard’s plays: the foundation of his international career and the inevitable starting point for anyone wanting to appreciate him.”—Benedict Nightingale, New York Times
“Full of philosophizing, nuances and complexities . . . [An] absurdist tragi-comedy . . . Stoppard’s . . . writing is pristine.”—Charlotte Observer
“After the first night of Rosencrantz and Guildenstern Are Dead at the National Theatre in 1967, Tom Stoppard awoke and found himself famous. It’s still a delightful shock, every few years, to be reminded how brilliant and engaging this play remains.”—Independent (UK)
“Very funny. Very brilliant. Very chilling. It has the dust of thought about it and the particles glitter excitingly in the theatrical air . . . This is a most remarkable and thrilling play. In one bound Mr. Stoppard is asking to be considered as among the finest English-speaking writers of our stage, for this is a work of fascinating distinction.”—Clive Barnes, New York Times
“A masterpiece, not unlike Shakespeare’s plays; it’s artfully, imaginatively written, multidimensional, and hilarious.”—New Yorker
“A coruscatingly brilliant, endlessly thought-provoking masterpiece.”—Wall Street Journal
“In making Rosencrantz and Guildenstern . . . Stoppard mixed the poetic melodrama of Shakespeare with the doom-laden minimalism of Samuel Beckett and topped it with the slapstick of the Marx Brothers.”—Rolling Stone
“A tour de force . . . Fascinating . . . A triumph.”—Roger Ebert
“Astonishing — a youthful prank bursting with theatrical mischief and literary flair.”—Washington Post
“Rosencrantz and Guildenstern are Dead . . . has proved its sturdiness and power to endure . . . It is, after all, the most performed, most studied, most earnestly analyzed and strenuously anatomized of all Mr. Stoppard’s plays: the foundation of his international career and the inevitable starting point for anyone wanting to appreciate him.”—Benedict Nightingale, New York Times
“Full of philosophizing, nuances and complexities . . . [An] absurdist tragi-comedy . . . Stoppard’s . . . writing is pristine.”—Charlotte Observer
“After the first night of Rosencrantz and Guildenstern Are Dead at the National Theatre in 1967, Tom Stoppard awoke and found himself famous. It’s still a delightful shock, every few years, to be reminded how brilliant and engaging this play remains.”—Independent (UK)
Notă biografică
Tom Stoppard is the author of such seminal works as Rosencrantz and Guildenstern Are Dead, Jumpers, The Real Thing, Arcadia, The Invention of Love, and the trilogy The Coast of Utopia. His screen credits include Parade’s End, Shakespeare in Love, Enigma, Empire of the Sun, and Anna Karenina.