Routes: Modern Plays
Autor Rachel De-Lahayen Limba Engleză Paperback – 18 sep 2013
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Specificații
ISBN-13: 9781472522610
ISBN-10: 1472522613
Pagini: 96
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.09 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472522613
Pagini: 96
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.09 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
This edition published to coincide with the production at the Jerwood Theatre Upstairs, Royal Court Theatre in October 2013.
Notă biografică
Rachel De-lahay's debut play at the Royal Court was The Westbridge, which opened at the Bussey Building in Peckham in 2011 as part of Theatre Local, before playing to full houses in the Jerwood Theatre Upstairs. It was awarded the Alfred Fagon Award, while still unproduced. Rachel was part of the Royal Court's Unheard Voices Writers' Programme and won the 2012 Writers' Guild Award for Best Play. She is currently under commission with the National Theatre Studio, Film Four, and Birmingham Rep.
Recenzii
Routes is a sharp-edged sketch . . . It plaits together tales of three young men who feel rejected personally or politically with tales of two white women . . . who have ducked and dived into some kind of power.
This thrilling debut play by Rachel De-lahay plugs straight into the jittery heart of multicultural London today . . . De-lahay has an alert ear for comic dialogue and her portrait of mixed-race, upwardly mobile twentysomethings on the estate . . . crackles with wit as well as moments of deep emotion. The play raises the provocative question of whether it is possible to shrug off the fraught issue of racial identity . . . It's a play that combines sharp one-liners with a savvy sense of the way we live now . . . One leaves the theatre impatient to discover what Rachel De-lahay will come up with next.
In her first play, De-lahay shows an impressively complex vision.
Routes is a vigorous and dynamic piece.
De-lahay excels in writing streetsmart dialogue...
The play expresses, more succinctly than journalism, the moral mess surrounding citizenship and criminal law.
In 70 sparky minutes, [De-lahay] examines the murky world of those who want to get in and those who don't want to leave.
A world emerges of broken homes and young men losing their way as director Simon Godwin gets stunning performances from his cast.
De-lahay skilfully plaits together several different stories.
an account of bureaucratic absurdity that doesn't hide behind absurdist humour.
This thrilling debut play by Rachel De-lahay plugs straight into the jittery heart of multicultural London today . . . De-lahay has an alert ear for comic dialogue and her portrait of mixed-race, upwardly mobile twentysomethings on the estate . . . crackles with wit as well as moments of deep emotion. The play raises the provocative question of whether it is possible to shrug off the fraught issue of racial identity . . . It's a play that combines sharp one-liners with a savvy sense of the way we live now . . . One leaves the theatre impatient to discover what Rachel De-lahay will come up with next.
In her first play, De-lahay shows an impressively complex vision.
Routes is a vigorous and dynamic piece.
De-lahay excels in writing streetsmart dialogue...
The play expresses, more succinctly than journalism, the moral mess surrounding citizenship and criminal law.
In 70 sparky minutes, [De-lahay] examines the murky world of those who want to get in and those who don't want to leave.
A world emerges of broken homes and young men losing their way as director Simon Godwin gets stunning performances from his cast.
De-lahay skilfully plaits together several different stories.
an account of bureaucratic absurdity that doesn't hide behind absurdist humour.