Russian Composers Abroad – How They Left, Stayed, Returned
Autor Elena Dubinetsen Limba Engleză Paperback – 4 oct 2021
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Wiley – 4 oct 2021 | 283.79 lei 6-8 săpt. | |
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MH – Indiana University Press – 4 oct 2021 | 528.51 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780253057785
ISBN-10: 0253057787
Pagini: 388
Ilustrații: 7 Tables, black and white; 89 Printed music items
Dimensiuni: 166 x 228 x 23 mm
Greutate: 0.57 kg
Editura: Wiley
ISBN-10: 0253057787
Pagini: 388
Ilustrații: 7 Tables, black and white; 89 Printed music items
Dimensiuni: 166 x 228 x 23 mm
Greutate: 0.57 kg
Editura: Wiley
Notă biografică
Elena Dubinets is Artistic Director of the London Philharmonic Orchestra. She previously held top artistic planning positions at the Atlanta and Seattle Symphony Orchestras. Dr. Dubinets has initiated more than a hundred commissions, organized tours to four continents, and overseen multiple Grammy-winning recording projects. She has taught at universities in the United States, Russia, and Costa-Rica; published five books; and written hundreds of articles and liner and program notes. She received her MA and PhD degrees from the Moscow State Tchaikovsky Conservatory in Russia and has lived in the US since 1996, moving to London in 2021.
Cuprins
Preface
Acknowledgments
Note on Transliteration
Introduction
Part I: National versus Global
1. The "Universal": Globalizing the Local
2. The National: Super-Icons
3. National Identification versus Cultural Affiliation: Non-Russian Composers
4. Cultural Affiliation versus Citizenship: Russian Diaspora
Part II: How to: Perspectives of Music Creation
5. The "Social" Perspective
6. The "Production" Perspective
Part III: How they left
7. A Brief History of Russian Diaspora Through Music
8. "Kolbasa Emigration": a New Cultural Mythology?
Part IV: How they stayed
9. The Trauma of Migration
10. The Many Professions
11. Supporters and Connectors
Part V: How they returned
12. Homecoming and Reception at Home
13. Russia under Putin: to stay or to go?
Conclusion
Bibliography
Index
Acknowledgments
Note on Transliteration
Introduction
Part I: National versus Global
1. The "Universal": Globalizing the Local
2. The National: Super-Icons
3. National Identification versus Cultural Affiliation: Non-Russian Composers
4. Cultural Affiliation versus Citizenship: Russian Diaspora
Part II: How to: Perspectives of Music Creation
5. The "Social" Perspective
6. The "Production" Perspective
Part III: How they left
7. A Brief History of Russian Diaspora Through Music
8. "Kolbasa Emigration": a New Cultural Mythology?
Part IV: How they stayed
9. The Trauma of Migration
10. The Many Professions
11. Supporters and Connectors
Part V: How they returned
12. Homecoming and Reception at Home
13. Russia under Putin: to stay or to go?
Conclusion
Bibliography
Index