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Samsung, Media Empire and Family: A power web: Routledge Advances in Korean Studies

Autor Chunhyo Kim
en Limba Engleză Paperback – 13 oct 2017
This book analyses media conglomerates owning multiple media holdings under centralized ownership within and across media markets. It argues that Asian capitalists utilize both a market-oriented ideology and family connections to build their media empires, thereby creating cultural conglomerates that exercise corporate censorship over media markets. It focuses on family-controlled media conglomerates in Korea, specifically the international business giant, Samsung, and its related media companies, Cheil Jedang and JoongAng Ilbo, all of which are controlled by the single Lee family. Utilizing the theoretical approach of political economy of communication, the book examines how and why the Lee family exercise corporate censorship over Korean society.
Offering an essential take on Asia’s political economy of communication in order to understand the workings of Asian media empires, this book will appeal to students and scholars of Korean Studies, Korean Business and Mass Communications.
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Specificații

ISBN-13: 9780815368786
ISBN-10: 081536878X
Pagini: 180
Ilustrații: 4 Line drawings, black and white; 38 Tables, black and white; 4 Illustrations, black and white
Dimensiuni: 156 x 234 x 10 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Korean Studies

Locul publicării:Oxford, United Kingdom

Cuprins

1. Chaebol Groups in Modern Korean History 2. The History of Samsung 3. Concentration vs. Competition in Neoliberal Media Mode 4. Samsung Media Empires 5. A Family Media Monopoly 6. Conclusion

Notă biografică

Chunhyo Kim is a lecturer in Foreign Studies at Hankuk University, Republic of Korea and a researcher in the Korean Media Union.

Descriere

This book studies media conglomerates, arguing that Asian capitalists utilize both a market-oriented ideology and family connections to build their media empires with multiple media holdings, thereby creating cultural conglomerates that exercise corporate censorship over media markets.