Screening the East (Film Europa) de Nick Hodgin

Screening the East: Film Europa, cartea 11

Nick Hodgin

en Limba Engleză Paperback – 28 feb 2013

Screening the East considers German filmmakers' responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity.

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Hardback (1)	748^.44 lei 43-57 zile
BERGHAHN BOOKS INC – 30 apr 2011	748^.44 lei 43-57 zile

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258^.50 lei 43-57 zile

BERGHAHN BOOKS INC – 28 feb 2013

258^.50 lei 43-57 zile

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748^.44 lei 43-57 zile

BERGHAHN BOOKS INC – 30 apr 2011

748^.44 lei 43-57 zile

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Notă biografică

Nick Hodgin is a cultural historian based at the Universities of Lancaster and Manchester (UK), whose research interests are in film and cultural studies. He has published widely on German film and German cultural studies, including the co-edited volume on GDR culture, The GDR Remembered. Representing the East German tate since 1989 (Camden House, 2011). His current projects focus on visual culture in the GDR, international cinema and history, and contemporary German filmmakers.

Cuprins

List of Illustrations Acknowledgements Introduction Films and Identity: Reflecting the Nation Heimat, Memory and Nostalgia Chapter 1. Mapping Identity After Unity: Stereotypes and Dissent A Post-GDR Identity? Ostalgie - Recharging the Batteries of Identity Chapter 2. Heimat Stories: East Meets West The Heimatfilm: Past Genres for Present Tensions Heimatas Refuge Locating Heimat in the GDR Screening Heimat in the GDR Contesting Heimat An Island Mentality:D Brocken Heimat Found?Go Trabi Go II. Das war der wilde Osten Conclusion: Triumph of the Underdog Chapter 3. Lost Landscapes Provincial Fears and Loathing Escaping Heimat Failed Utopia? Paradise Lost? Post-unification Landscapes: Charting Memory Stories from the Margins Still Life: Representing the East Memory and Loss Neben der Zeit: Memories in Ruins, Ruined Memories Landscape and Meaning Chapter 4. At the Back of Beyond: Heimat East On the Road Again The Occidental Tourists: Wir Konnen auch anders Resisting Stereotypes On the Run The Community as Mob Borderland/Bored Land Community Undone Chapter 5. Berlin: Disorientation/Reorientation After Unification: Lapsus memoriae? No-Man's Land Orientations Haunted by the Past Disorientation New Cartographies: Berlin is in Germany Chapter 6. Good Bye, Ostalgie? Commodifying the Past Disneyland GDR Reimagining the GDR Recycling the Past: Der Zimmerspringbrunnen Reconstructing the GDR Between Ostalgie and Westalgie Fade to Grey: NVA Stasiland GDR Conclusion A Community Apart? Towards Normalization? Filmography Bibliography Index

Recenzii

"Hodgin ... brings extensive historical and sociological knowledge to his perceptive discussion of complex topics such as nostalgia for the GDR and debates over how its ambiguous history should be represented ... by bringing to the attention of English-speaking readers many less-known films and filmmakers, this readable study provides a valuable resource on recent German film history." * Choice " - contains useful and nuanced readings of the best-known films dealing with themes related to unification, as well as highlighting some equally interesting lesser-known works, in order to provide a rounded picture of German cinema's engagement with these issues in the past 17 years. I am not aware of any other publication that covers such a range of material and this in itself makes the book a valuable contribution to the field." * David Clarke, University of Bath "This is an extremely rich study of the representation of east German identity and the former GDR in post-unification cinema. The author clearly has an encyclopaedic knowledge of the films of this period ... Hodgin's book breaks genuinely new ground." * Sean Allan, University of Warwick "The book reveals an excellent knowledge of German culture and cinema, and combines methodological soundness with an ability to talk about films in a lively way free of jargon. Screening the East should not be missed by anybody interested in German cinema and culture, as well as cinema as discourse on history and space." * Ewa Mazierska, University of Central Lancashire "Screening the East provides insightful readings of contemporary classics such as Good Bye, Lenin! and The Lives of Others alongside films which complement these popular memories of life on the other side of the Wall by an eastern and, arguably, more authentic perspective. This is an engaging and important contribution to German cinema and cultural studies, providing a wealth of contextual detail." * Daniela Berghahn, Reader in Film Studies, Royal Holloway, University of London

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Screening the East: Film Europa, cartea 11

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