Screening the Royal Shakespeare Company: A Critical History
Autor John Wyveren Limba Engleză Paperback – 24 iun 2020
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Specificații
ISBN-13: 9781350174078
ISBN-10: 1350174076
Pagini: 288
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
ISBN-10: 1350174076
Pagini: 288
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
Caracteristici
A
landmark
first
study
of
the
RSC's
history
of
filmed
productions
draws
on
interviews
with
directors
and
actors
involved
Notă biografică
John
Wyveris
an
independent
scholar
and
a
writer
and
producer
and
Director,
Screen
Productions
at
the
Royal
Shakespeare
Company.
Cuprins
List
of
Illustrations
AcknowledgementsNote
on
the
TextIntroductionChapter
1:
Beginners,
1910-59Chapter
2:
Television
Times,
1962-68Chapter
3:
Making
Movies,
1964-73Chapter
4:
Intimate
Spaces,
1972-82Chapter
5:
Toil
and
Troubles,
1982-2012Chapter
6:
Now-ness,
2000-18NotesFilmographyBibliographyIndex
Recenzii
Wyver
(Univ.
of
Westminster,
UK)
provides
an
insider's
look
at
how
the
Royal
Shakespeare
Company
(RSC)
has
navigated
the
often-turbulent
world
of
broadcasting
productions
of
Shakespeare.
He
provides
a
historical
account
of
the
recording
and
broadcasting
of
productions
by
the
RSC
that
covers
ten
decades
.
Though
one
can
find
myriad
resources
on
the
adaptation
of
Shakespeare
to
film,
Wyver
focuses
specifically
on
how
the
RSC
adapts
live
Shakespearean
productions
for
television
and
film;
he
keeps
in
mind
both
the
integrity
of
the
stage
and
an
audience's
expectation
of
more
than
a
static,
single
camera
recording.
Thus
the
volume
is
an
important
contribution
to
adaptation
studies.
Summing
Up:
Recommended
One of the most significant achievements of this book is Wyver's scrupulously thorough investigation ... [A] meticulously researched, amply documented and wonderfully wide-ranging study.
Remarkable ... A narrative that dramatically (the pun is deliberate) transforms our knowledge and understanding of the filming of theatre and of the particularly complex and varied negotiations between theatre productions on the one hand and the film and television media on the other...It will take us all a long time to catch up with the riches of what Wyver has accomplished here but we will find the journey exhilarating and profoundly rewarding.
The RSC's relationship with screen media is a topic that has long needed its history written, and Wyver is the ideal writer for the task. Lucidly marshalling a wealth of research, including exciting new discoveries, this book comprehensively chronicles the company's complex interactions with broadcasters and filmmakers from the 1950s to the present day. It will be essential reading for anyone interested in Shakespeare on stage and on screen.
A careful, richly detailed and painstaking work of history... a huge achievement of patient archival research and practical industry knowledge, which will become a standard reference work for those of us toiling in this area
One of the most significant achievements of this book is Wyver's scrupulously thorough investigation ... [A] meticulously researched, amply documented and wonderfully wide-ranging study.
Remarkable ... A narrative that dramatically (the pun is deliberate) transforms our knowledge and understanding of the filming of theatre and of the particularly complex and varied negotiations between theatre productions on the one hand and the film and television media on the other...It will take us all a long time to catch up with the riches of what Wyver has accomplished here but we will find the journey exhilarating and profoundly rewarding.
The RSC's relationship with screen media is a topic that has long needed its history written, and Wyver is the ideal writer for the task. Lucidly marshalling a wealth of research, including exciting new discoveries, this book comprehensively chronicles the company's complex interactions with broadcasters and filmmakers from the 1950s to the present day. It will be essential reading for anyone interested in Shakespeare on stage and on screen.
A careful, richly detailed and painstaking work of history... a huge achievement of patient archival research and practical industry knowledge, which will become a standard reference work for those of us toiling in this area