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Sculptural Materiality in the Age of Conceptualism: International Experiments in Italy: Studies in Art Historiography

Autor Marin R. Sullivan
en Limba Engleză Hardback – 5 dec 2016
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama’s Narcissus Garden, Michelangelo Pistoletto’s Newspaper Sphere (Sfera di giornali), Robert Smithson’s Asphalt Rundown, and Joseph Beuys’s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.
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Specificații

ISBN-13: 9781472465986
ISBN-10: 1472465989
Pagini: 210
Ilustrații: 67 Halftones, black and white; 67 Illustrations, black and white
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.66 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Art Historiography

Locul publicării:Oxford, United Kingdom

Cuprins

Introduction: Meshworks and Networks
Sculptural Materiality
Action and Circulation in Postwar Italy
1. Reflective Acts: Yayoi Kusama in Venice
"Sideshow" Sculpture and the XXXIII Venice Biennale
Photographic Mirrors
Self, Sculpture, and Photograph
Remnants and Residuum
2. With Time Action: Michelangelo Pistoletto in Turin
Mirror Images and Minus Objects
Con temp l’azione
The City as Material
From the Street to the Cage
3. Slow Dissolves: Robert Smithson in Rome
Exhibiting Process
The Flow of Sculpture
Photography is Action
The Age of Conceptualism
4. The Sculptural Arena: Joseph Beuys in Naples
The Mediterranean Situation
Transmitters
Between Image and Object
Sculpture as Multiple
Conclusion: Material Dispersions
Recreations and Replicas
Inert Monuments and Enlivened Objects

Notă biografică

Marin R. Sullivan is Assistant Professor of Art History, Department of Art, Keene State College, USA.

Recenzii

"While the book addresses one Italian artist, Pistoletto, it underscores the radical artistic subculture in Italy during this period. Moreover, it demonstrates that the tension between materiality and immateriality that ran through arte povera yielded a welcome environment for international artists wishing to undertake such projects as well as a support system for their patronage, realization, documentation and photography."
-Rosalind McKever, Art History

Descriere

Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama’s Narcissus Garden, Michelangelo Pistoletto’s Newspaper Sphere (Sfera di giornali), Robert Smithson’s Asphalt Rundown, and Joseph Beuys’s Arena. Here, they anchor a transnational narrative in which sculpture emerged, as a node, a center of transaction comprised of multiple material phenomena, including objects, images, and actors.